Franz Betz by Unknown
Enrico Tamberlick by Unknown
Gustave Roger's autograph at the back
Gustave Roger by Portier
Emilio Pancani's autograph at the back
Emilio Pancani by Lehmann
Elias Nathan by Franck
Fyodor Stravinsky by Wesenberg (1)
Fyodor Stravinsky by Wesenberg (2)
Fyodor Stravinsky by Wesenberg (3)
Josef Paleček and Wilhelmina Raab by Wesenberg
Wilhelmina Raab by Wesenberg (1)
Maria Deysha-Sionitzkaya by Wesenberg
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Wilhelmina Raab and Ivan Melnikov by Wesenberg
Nikolai Figner and Medea Mei-Figner by Wesenberg (…
Ivan Melnikov by Wesenberg (1)
Ivan Melnikov by Wesenberg (2)
Leonid Yakovlev by Wesenberg
Maria Dolina by Wesenberg
Sofia Scalchi by Wesenberg
Lodovico Graziani by Wesenberg
Therese Vogl by Müller
Bertha Ehnn by Mahlknecht (2)
Bertha Ehnn by Gertinger (2)
Bertha Ehnn by Gertinger (1)
Albert Niemann by Albert
Lodovico Graziani by Mahlknecht
Franz Nachbaur by Albert
Pauline Lucca by Graf (3) with autograph
Pauline Lucca and Albert Niemann by Lehmann
Ludwig Schnorr von Carolsfeld and Malvina Garrigue…
Malvina Garrigues by Holzer (2)
Malvina Garrigues ' autograph at the back
Ludwig Schnorr von Carolsfeld by Holzer (2)
Adelina Patti by Bergamasco (8)
Adelina Patti by Bergamasco (7)
Adelina Patti by Bergamasco (6)
Adelina Patti by Bergamasco (5)
Adelina Patti by Adèle
Adelina Patti by Bergamasco (4)
Adelina Patti by Albert
Adelina Patti by Haase
Adelina Patti by Mayall
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Amalie Materna by Atelier Rembrandt
Amalie Materna (1844-1918); Austrian soprano.
In 1865 she made her operetta debut at the "Thalia Theater" in Graz. She made her opera debut at the Vienna State Opera in 1869, singing the role of Selika in Meyerbeer’s “L'Africaine”. She stayed a regular performer at this theatre for the next 25 years. She created the title role at the première of Goldmark’s “Die Königin von Saba” (1875). She sang the role of Brünnhilde (in “Walküre”, “Siegfried” and “Götterdämmerung”) in Wagner’s first complete production of “Der Ring des Nibelungen” that was performed at Bayreuth from 13 august to17 august 1876. Her performances as Brünnhilde in “Siegfried” and “Götterdämmerung” in this Ring cycle were worldpremières.In 1882 she created the role of Kundry in “Parsifal” at Bayreuth. After her retirement she taught singing in Vienna.
On the photo she is seen in the title role of Goldmark's "Die Königin von Saba" (Queen of Sheba), a role she created at the première on10 March 1875.
In 1865 she made her operetta debut at the "Thalia Theater" in Graz. She made her opera debut at the Vienna State Opera in 1869, singing the role of Selika in Meyerbeer’s “L'Africaine”. She stayed a regular performer at this theatre for the next 25 years. She created the title role at the première of Goldmark’s “Die Königin von Saba” (1875). She sang the role of Brünnhilde (in “Walküre”, “Siegfried” and “Götterdämmerung”) in Wagner’s first complete production of “Der Ring des Nibelungen” that was performed at Bayreuth from 13 august to17 august 1876. Her performances as Brünnhilde in “Siegfried” and “Götterdämmerung” in this Ring cycle were worldpremières.In 1882 she created the role of Kundry in “Parsifal” at Bayreuth. After her retirement she taught singing in Vienna.
On the photo she is seen in the title role of Goldmark's "Die Königin von Saba" (Queen of Sheba), a role she created at the première on10 March 1875.
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