The Banker and The Bonnetmaker
Snarking or Gnashing
Fun with Allusions
Grünewald and Holiday
Easter Greeting
Alice and the Cheshire Cat
Recycled Bellman Draft
Waistcoat Poetry
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
The Expression of Emotions
Thomas Cranmer's Burning
Seeing Letters, Skulls and Faces
Schnarkverschlimmbesserung
h80 - The Vanishing
h50 - Beavers Lesson
h30 - The Baker's Uncle
h70 - The Banker's Fate
h60 - Snark Court
h10 - The Landing
h11 - The Snark Hunting Party
h20 - BellmansMap
Surrounded by Monsters
Thomas Cranmer's Boojum (with inset)
Thomas Cranmer's Boojum
The Vanishing of Thomas Cranmer
«L.C. forgot that "the Snark" is a tragedy and [sh…
The Baker's 42 Boxes and Iconoclasm
Carroll on the Rocks
Nose is a Nose is a Nose
Burning the Baker
Dream Snarks
Carroll's Barrister's Dream
The Billiard marker
White Spot
Herbs & Horses
IT WAS A BOOJUM
Two Bone Players
The Bankers Fate
So great was his fright that his waistcoat turned…
Two Noses
The Broker's and the Monk's Nose (with a little he…
The Broker's and the Monk's Nose
jub jub jub jub jub jub jub jub jub jub jub jub ..…
Holiday - Millais - Anonymous - Galle; detail
Bellman & Bard after retinex filtering
Bellman & Bard after retinex filtering
Bellman & Bard
Bellman & Bard
The Butcher & the young Raleigh (details)
Bellmen on the Rocks
Bellmen
Adriano Orefice: La cerca dello Squallo
The Bellman and Charles Darwin
Mad Tea-Party
Nosemorph
Thomas Cranmer's Burning
Lacing Pillow
TruthProof
The Boojum sitting on some of the 42 boxes
IT WAS A BOOJUM (bw)
The Bellman and Sir Henry Lee (no marks)
Bankersnatched by the Bandersnatch
Holiday - Millais- Anonymous - Galle, detail
6 Sources to the Beaver's Lesson
The Baker's 42 Boxes
The Carpenter and Ahasuerus
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Thumb & Lappet
Hidden Carrol
Thomas Cramer's hand?
"But if ever I meet with a Boojum, that day, I sha…
IT WAS A BOOJUM
While he rattled a couple of bones
While he rattled a couple of bones
Crossing the Line
Tree of Life
The Bellman and Sir Henry Lee
Star and Tail
William III, Religion and Liberty, Care and Hope
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Bandersnatch fled as the others appeared
An Expedition Team
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Doré (1863), Holiday (1876), Doré (1866)
The Hunting Of The Snark
A Nose Job
See also...
Keywords
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"21 février 2011 à 21 h 47 min
Cette semaine, nous avons mis en ligne dans la Factory les contributions d’un nouveau membre de la communauté artsciencefactory, Goetz Kluge. La recherche proposée par M. Kluge porte sur la réutilisation de formes visuelles dans un autre contexte que celui par lequel elles ont été créées. Cette recherche est menée d’une manière qui s’appuie d’abord sur la sensibilité, elle ouvre de nombreuses perspectives quant à la compréhension de la construction des représentations. Plus d’un siècle avant qu’on ait pour la première fois entendu parler de copié/collé ou de remix, un dessinateur, Henry Holiday, met en oeuvre un système très sophistiqué de citations visuelles pour produire ses propres oeuvres, qui n’ont rien de plagiats ou d’imitations. Il n’est ni le premier ni le seul, mais l’observation attentive de Goetz Kluge, et son utilisation d’outils informatiques récents, aident à comprendre « de quoi sont faites les images » – plastiquement, mais aussi mentalement. Une telle démarche intéresse non seulement les artistes mais aussi tous ceux qui ont à produire des représentations, des visualisations et utilisent pour cela un « vocabulaire » et une « grammaire », le plus souvent sans en être conscients. JMF"
www.snrk.de/le_petit_bleu_qui_trouble
·
Due to the conceptual changes from artsciencfactory.fr to artsciencfactory.com, I don't maintain my artsciencfactory blog anymore.
Above them all th' Arch Angel: but his face [ 600 ]
Deep scars of Thunder had intrencht, and care
Sat on his faded cheek, but under Browes
Of dauntless courage, and considerate Pride
Waiting revenge: cruel his eye, but cast
Signs of remorse and passion to behold [ 605 ]
The fellows of his crime, the followers rather
(Far other once beheld in bliss) condemn'd
For ever now to have thir lot in pain,
Millions of Spirits for his fault amerc't
Of Heav'n, and from Eternal Splendors flung [ 610 ]
For his revolt, yet faithfull how they stood,
Thir Glory witherd. As when Heavens Fire
Hath scath'd the Forrest Oaks, or Mountain Pines,
With singed top thir stately growth though bare
Stands on the blasted Heath. He now prepar'd [ 615 ]
To speak; whereat thir doubl'd Ranks they bend
From wing to wing, and half enclose him round
With all his Peers: attention held them mute.
Thrice he assayd, and thrice in spight of scorn,
Tears such as Angels weep, burst forth: at last [ 620 ]
Words interwove with sighs found out thir way.
Paradise Lost (from Book I), John Milton, 1674
www.dartmouth.edu/~milton/reading_room/pl/book_1/index.shtml
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