Bankersnatched by the Bandersnatch
The Bellman and Sir Henry Lee (no marks)
IT WAS A BOOJUM (bw)
The Boojum sitting on some of the 42 boxes
TruthProof
Lacing Pillow
Thomas Cranmer's Burning
Nosemorph
Mad Tea-Party
The Bellman and Charles Darwin
Adriano Orefice: La cerca dello Squallo
Bellmen
Bellmen on the Rocks
The Butcher & the young Raleigh (details)
Bellman & Bard
Bellman & Bard
Bellman & Bard after retinex filtering
Bellman & Bard after retinex filtering
Holiday - Millais - Anonymous - Galle; detail
jub jub jub jub jub jub jub jub jub jub jub jub ..…
The Broker's and the Monk's Nose
The Broker's and the Monk's Nose (with a little he…
Two Noses
So great was his fright that his waistcoat turned…
The Bankers Fate
Two Bone Players
IT WAS A BOOJUM
Herbs & Horses
White Spot
The Billiard marker
Carroll's Barrister's Dream
Dream Snarks
Paradise Lost and the Beaver's Lesson
The Banker and The Bonnetmaker
Snarking or Gnashing
Fun with Allusions
Grünewald and Holiday
Easter Greeting
Alice and the Cheshire Cat
Recycled Bellman Draft
Waistcoat Poetry
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
The Expression of Emotions
Thomas Cranmer's Burning
Seeing Letters, Skulls and Faces
Schnarkverschlimmbesserung
h80 - The Vanishing
h50 - Beavers Lesson
h30 - The Baker's Uncle
h70 - The Banker's Fate
h60 - Snark Court
h10 - The Landing
h11 - The Snark Hunting Party
h20 - BellmansMap
Surrounded by Monsters
Thomas Cranmer's Boojum (with inset)
Thomas Cranmer's Boojum
The Vanishing of Thomas Cranmer
«L.C. forgot that "the Snark" is a tragedy and [sh…
The Baker's 42 Boxes and Iconoclasm
6 Sources to the Beaver's Lesson
The Baker's 42 Boxes
The Carpenter and Ahasuerus
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Thumb & Lappet
Hidden Carrol
Thomas Cramer's hand?
"But if ever I meet with a Boojum, that day, I sha…
IT WAS A BOOJUM
While he rattled a couple of bones
While he rattled a couple of bones
Crossing the Line
Tree of Life
The Bellman and Sir Henry Lee
Star and Tail
William III, Religion and Liberty, Care and Hope
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Bandersnatch fled as the others appeared
An Expedition Team
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Doré (1863), Holiday (1876), Doré (1866)
The Hunting Of The Snark
A Nose Job
Henry Holiday alluding to John Martin
The Hunting of the Snark
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Holiday - Millais- Anonymous - Galle, detail
#1 - (allusion to the bedpost #3): 1876, Henry Holiday: Segment of an illustration to Lewis Carroll's The Hunting of the Snark (vectorized after a scan from an 1911 edition of the Snark)
#2 - (allusion to the bedpost #3 and to Philip Galle's print #4): 1850, the young John the Baptist in John Everett Millais: Christ in the House of His Parents (aka The Carpenter's Shop). The left leg of the boy looks a bit deformed. This is no mistake. Probably Millais referred to #3 and to #4.
#3 - (Henry VIII's bedpost): 16th century, anonymous: Redrawn segment of Edward VI and the Pope, An Allegory of Reformation, (mirror view).
#4 - (bedpost #3 alludes to bedpost #4): 1564, Redrawn segment of a print Ahasuerus consulting the records by Philip Galle after Maarten van Heemskerck. The resemblance of #4 to the image #3 (the bedpost) was shown by the late Dr. Margaret Aston in 1994 in The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (p. 68). She also compared the bedpost to Heemskerck's Esther Crowned by Ahasuerus.
#2 - (allusion to the bedpost #3 and to Philip Galle's print #4): 1850, the young John the Baptist in John Everett Millais: Christ in the House of His Parents (aka The Carpenter's Shop). The left leg of the boy looks a bit deformed. This is no mistake. Probably Millais referred to #3 and to #4.
#3 - (Henry VIII's bedpost): 16th century, anonymous: Redrawn segment of Edward VI and the Pope, An Allegory of Reformation, (mirror view).
#4 - (bedpost #3 alludes to bedpost #4): 1564, Redrawn segment of a print Ahasuerus consulting the records by Philip Galle after Maarten van Heemskerck. The resemblance of #4 to the image #3 (the bedpost) was shown by the late Dr. Margaret Aston in 1994 in The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (p. 68). She also compared the bedpost to Heemskerck's Esther Crowned by Ahasuerus.
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