A Nose Job
The Hunting Of The Snark
The Bandersnatch fled as the others appeared
IT WAS A BOOJUM
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM (bw)
So great was his fright that his waistcoat turned…
Ceci n'est pas une cloche
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
Dream Snarks
Carroll's Barrister's Dream
Two Noses
Holidays Boojum
J. J. Grandville's Monsters
Nosemorph
The Boojum sitting on some of the 42 boxes
Holiday and Gheeraerts I
Priest in the Mouth
Snark Hunt: Square One
The Snark in your Dreams
Neuman, Butcher, Jowett
The Butcher and Benjamin Jowett
Tree of Life
Inspiration by Reinterpretation
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
With yellow kid gloves and a ruff
An Expedition Team
Holiday and Gheeraerts I
The Billiard marker
The Uncle over Darwin's Fireplace
Monster Nose
The Broker's and the Monk's Nose (with a little he…
Holiday - Millais - Anonymous - Galle; detail
The Butcher & the young Raleigh (details)
Thomas Cranmer's Burning
Wood Shavings turned Pope (1st version)
Darwin's Fireplace and the Baker's Dear Uncle
Henry George Liddell in "The Hunting of the Snark"
Snarked: Henry George Liddell
Holiday - Millais- Anonymous - Galle, detail
6 Sources to the Beaver's Lesson
The Baker's 42 Boxes
Weeds turned Horses (2)
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Thumb & Lappet
Bonnet Head
Billiard-Marker & Henry George Liddell
Hidden Carrol
A little Zoo in Charles Darwin's Study
Star and Tail
William III, Religion and Liberty, Care and Hope
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Broker's and the Monk's Nose
Millais, Anonymous, Galle
Weeds turned Horses (BW)
Weeds turned Horses
Weeds turned Horses (detail)
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Hennry Holiday, the Bonnetmaker and a Bonnet
Doré (1863), Holiday (1876), Doré (1866)
Henry Holiday alluding to John Martin
White Spot
Two Bone Players
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The Hunting of the Snark
The Hunting of the Snark (1876) has been written by Lewis Carroll and illustrated by Henry Holiday.
The Image shows Henry Holiday's illustrations to the front cover and the back cover of the book and paintings depicting Queen Elizabeth I, to which Henry Holyday may have alluded.
There are many more pictorial allusions in Henry Holiday's Snark illustrations.
The Image shows Henry Holiday's illustrations to the front cover and the back cover of the book and paintings depicting Queen Elizabeth I, to which Henry Holyday may have alluded.
There are many more pictorial allusions in Henry Holiday's Snark illustrations.
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Elizabeth I & Her People
www.npg.org.uk/whatson/elizabethi/exhibition.php
The following question may answer to help the first question: Why do writers "hide" elements of works of other writers in their own writings?
web.archive.org/web/20161226172011/http://empirecontact.com/concept/allusion.html: "The most powerful stories operate on more than one level. They allude to another story or myth, indirectly referencing something biblical, classical, mythological, epic, poetic, musical, et cetera. Doing so engages the conscious and subconscious mind at once, making the story bigger than it is by itself; making it universal. Analogy, allegory, and conceit can also be used to the same purpose [...]"
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