With yellow kid gloves and a ruff
IT WAS A BOOJUM
Ditchley Snark
Ditchley Snark
Holiday - Millais- Anonymous - Galle, detail
Darwin's Fireplace and the Baker's Dear Uncle
The Bellman and Sir Henry Lee (no marks)
IT WAS A BOOJUM (bw)
Bellmen on the Rocks
Bellman & Bard
Bellman & Bard
Holiday - Millais - Anonymous - Galle; detail
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Monster in the Branches
The Uncle over Darwin's Fireplace
Carpenters Shop and Millais' Allusions
Two Noses
So great was his fright that his waistcoat turned…
The Bankers Fate
Two Bone Players
Again: What I tell you three times is true!
Herbs & Horses
White Spot
Dream Snarks
Ceci n'est pas une cloche
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
The Hunting Of The Snark
A Nose Job
The Hunting of the Snark
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Bellmen
Thumb & Lappet
Gnarly Monstrance
Bard and Bellman
Bonnet Head
Priest in the Mouth
Snark Hunt: Square One
Hidden Carrol
The Snark in your Dreams
Neuman, Butcher, Jowett
The Butcher and Benjamin Jowett
Tree of Life
A little Zoo in Charles Darwin's Study
Inspiration by Reinterpretation
Star and Tail
William III, Religion and Liberty, Care and Hope
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Broker's and the Monk's Nose
Millais, Anonymous, Galle
Weeds turned Horses (BW)
Weeds turned Horses
Weeds turned Horses (detail)
Monster Face
Monster Feet
An Expedition Team
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Holiday and Gheeraerts I
Hennry Holiday, the Bonnetmaker and a Bonnet
Doré (1863), Holiday (1876), Doré (1866)
Henry Holiday alluding to John Martin
Billiard-Marker & Henry George Liddell
Thomas Cramer's hand?
"But if ever I meet with a Boojum, that day, I sha…
Beagle and Beagle?
The Bell?
While he rattled a couple of bones
While he rattled a couple of bones
What I tell you three times is true!
Crossing the Line
Anne I?
The Bellman and Father Time
Snark Hunting with the HMS Beagle
The Bellman and Sir Henry Lee
Beagle Landing
Beagle Laid Ashore (2)
The Paranoiac-Critical Method serves the Art of De…
SnarkLogo r
SnarkLogo
Henry Holiday's and M.C. Escher's allusions to Joh…
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The Bandersnatch fled as the others appeared


In Lewis Carroll's The Hunting of the Snark, the intertextuality of the poem is paralleled by the interpictoriality of Henry Holiday's illustrations: Here Henry Holiday reinterprets Marcus Gheeraerts I+II.
The image above shows Henry Holiday's illustration to the chapter The Banker's Fate. (A small part of the left side has been removed in order to achieve a 4:3 ratio. The largest size is 5696 x 4352 pixels.) To Holiday's illustration I added images from which, in my opinion, he had borrowed shapes and concepts:
(1) Under the Banker's arm:
* Horizontally compressed segment of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis (yellow frame).
(2) Under the Beaver's paw (mirror views):
* [top]: Marcus Gheeraerts the Younger: Catherine Killigrew, Lady Jermyn (1614)
* [bottom, mirror view]: Marcus Gheeraerts the Younger: Mary Throckmorton, Lady Scudamore (1615)
The image above shows Henry Holiday's illustration to the chapter The Banker's Fate. (A small part of the left side has been removed in order to achieve a 4:3 ratio. The largest size is 5696 x 4352 pixels.) To Holiday's illustration I added images from which, in my opinion, he had borrowed shapes and concepts:
(1) Under the Banker's arm:
* Horizontally compressed segment of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis (yellow frame).
(2) Under the Beaver's paw (mirror views):
* [top]: Marcus Gheeraerts the Younger: Catherine Killigrew, Lady Jermyn (1614)
* [bottom, mirror view]: Marcus Gheeraerts the Younger: Mary Throckmorton, Lady Scudamore (1615)
Stan Askew, Xata have particularly liked this photo
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Fit the Seventh
THE BANKER'S FATE (post+pre banking crisis version!)
489· · They sought it with thimbles, they sought it with care;
490· · · · They pursued it with forks and hope;
491· · They threatened its life with a railway-share;
492· · · · They charmed it with smiles and soap.
493· · And the Banker, inspired with a courage so new
494· · · · It was matter for general remark,
495· · Rushed madly ahead and was lost to their view
496· · · · In his zeal to discover the Snark
497· · But while he was seeking with thimbles and care,
498· · · · A Bankersnatch swiftly drew nigh
499· · And grabbed at the Banker, who shrieked in despair,
500· · · · For he knew it was useless to fly.
501· · He offered large discount--he offered a cheque
502· · · · (Drawn "to bearer") for seven-pounds-ten:
503· · But the Bankersnatch merely extended its neck
504· · · · And grabbed at the Banker again.
505· · Without rest or pause--while those frumious jaws
506· · · · Went savagely snapping around-
507· · He skipped and he hopped, and he floundered and flopped,
508· · · · Till fainting he fell to the ground.
509· · The Bankersnatch fled as the others appeared
510· · · · Led on by that fear-stricken yell:
511· · And the Bellman remarked "It is just as I feared!"
512· · · · And solemnly tolled on his bell.
513· · He was black in the face, and they scarcely could trace
514· · · · The least likeness to what he had been:
515· · While so great was his fright that his waistcoat turned white-
516· · · · A wonderful thing to be seen!
517· · To the horror of all who were present that day.
518· · · · He uprose in full evening dress,
519· · And with senseless grimaces endeavoured to say
520· · · · What his tongue could no longer express.
521· · Down he sank in a chair--ran his hands through his hair--
522· · · · And chanted in mimsiest tones
523· · Words whose utter inanity proved his insanity,
524· · · · While he rattled a couple of bones.
525· · "Leave him here to his fate--it is getting so late!"
526· · · · The Bellman exclaimed in a fright.
527· · "We have lost half the day. Any further delay,
528· · · · And we sha'nt catch a Snark before night!"
Hang It!
seen in Assemblage
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