Short note with autograph Célestine Galli-Marié
Pauline Viardot-Garcia by Disdéri (9)
Enrico Delle Sedie's autograph at the back
Enrico Delle Sedie by Numa Blanc
Elias Nathan by Petit & Trinquart
Gian Francesco Angelini by Disdéri
Pierre Gailhard by Stereoscopic
Max Alvary by Sarony
Franz Nachbaur by Bieber
Eugen Degele by Gottheil & Sohn
Jean-Baptiste Faure by Reutlinger (2)
Jean-Baptiste Faure by Reutlinger (3)
Short note with autograph Jean-Baptiste Faure
Fidès Devriès by Reutlinger
Auguste Boudouresque by Petit (2)
Rosine Bloch by Petit (1)
Pauline Viardot-Garcia by Disdéri (10)
Constance Nantier-Didiée by Caldesi (1)
Constance Nantier-Didiée by Caldesi (2)
Joakim Tartakov by Fr. de Mezer
Josef Paleček and Julia Platonowa by Wesenberg
Leonid Sobinov by Wesenberg
Jean de Reszke by Benque
Célestine Galli-Marié's autograph at the back
Angiolina Bosio by Mayer & Pierson
Lodovico Graziani by Bernoud
Pauline Viardot-Garcia by Disdéri (8)
Rose Caron by Benque (1)
Marie Renard by Adèle (8)
Marie van Zandt by Benque (1)
Ada Adini by Rossi
Alexander Girardi by Chmielevsky
Karl Streitmann by Rockwood
Katharina Klafsky by Bieber (2)
Carl Mayerhofer by Müller Jun.
Carl Mayerhofer's autograph at the back
Stepan Vlasov by Unknown
Ippolit Petrovich Pryanishnikov by Aleksandrovski
Pavel Akinfievich Khohklov by Konarski
Pavel Akinfievich Khohklov by Unknown
Rudolf Walin by Lundbergh
Olof Strandberg by Unknown
Louise Michaëli by Florman
Anna Maria Strandberg by Dahllöf
Louise Pyk by Florman
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
1 328 visits
Célestine Galli-Marié by Nadar (1)
Célestine Galli-Marié, born Célestine Marié de l'Isle (1840-1905); French mezzo-soprano who created the title role in Bizet's opera "Carmen" at the Opéra-Comique in Paris on 3 March 1875.
She was the daughter of the opera singer Félix Mécène Marié de l'Isle (1811-1882), who taught her singing. In 1859 she made her debut at Strassburg and in 1861 she performed at Lisbon. From 1862 until 1885 she was engaged at the Paris Opéra-Comique. She created various première-roles. The most known are Kaled in Maillart’s “Lara” (1864), Blandine in Gevaert’s “Le capitaine Henriot” (1864), Friday in Offenbach’s “Robinson Crusoé” (1867), Fantasio in Offenbach’s “Fantasio” (1872), Lazarillo in Massenet’s “Don César de Bazan” (1872) and Zanetto in Paladilhe’s “Le passant” (1872). She is however best remembered for creating the title-role in the opera “Mignon” (1866) by Ambroise Thomas (1866) and the title-role in “Carmen” by Georges Bizet (1875). These two roles made her world famous and from 1875 on she made guest appearances all over the world in these two opera’s. In 1885 she appeared in the 100th (gala)performance of Carmen at the Opéra-Comique. Here she ended her career in the same year. In 1890 she returned to the Opéra-Comique to sing in a fundraising performance to erect a monument to the composer Bizet.
The mezzo-soprano Paola Marié (1847-1919) was her younger sister and was also well known for the interpretations of Carmen and Mignon.
On the photo she is seen as Carmen.
She was the daughter of the opera singer Félix Mécène Marié de l'Isle (1811-1882), who taught her singing. In 1859 she made her debut at Strassburg and in 1861 she performed at Lisbon. From 1862 until 1885 she was engaged at the Paris Opéra-Comique. She created various première-roles. The most known are Kaled in Maillart’s “Lara” (1864), Blandine in Gevaert’s “Le capitaine Henriot” (1864), Friday in Offenbach’s “Robinson Crusoé” (1867), Fantasio in Offenbach’s “Fantasio” (1872), Lazarillo in Massenet’s “Don César de Bazan” (1872) and Zanetto in Paladilhe’s “Le passant” (1872). She is however best remembered for creating the title-role in the opera “Mignon” (1866) by Ambroise Thomas (1866) and the title-role in “Carmen” by Georges Bizet (1875). These two roles made her world famous and from 1875 on she made guest appearances all over the world in these two opera’s. In 1885 she appeared in the 100th (gala)performance of Carmen at the Opéra-Comique. Here she ended her career in the same year. In 1890 she returned to the Opéra-Comique to sing in a fundraising performance to erect a monument to the composer Bizet.
The mezzo-soprano Paola Marié (1847-1919) was her younger sister and was also well known for the interpretations of Carmen and Mignon.
On the photo she is seen as Carmen.
OperaMania has particularly liked this photo
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.