Leonid Sobinov by Wesenberg
Jean de Reszke by Benque
Antonio d'Andrade by Borelli
Wilhelm Hesch by Pietzner
Francisco d'Andrade by Schaarwächter (2)
Francisco d'Andrade by Schaarwächter (3)
Francisco d'Andrade by Schaarwächter (4)
Rosa Sucher by Bieber
Leonore Robinson by Bieber
Joseph Wolff by Bieber
Rosa Sucher by Schaarwächter (2)
Franz Krolop by Schaarwächter
Paula Mark by Krziwanek
Marie Geistinger by Müller
Marie Geistinger by Adèle (1)
Marie Geistinger by Adèle (2)
Caroline Finaly by Unknown (1)
Caroline Finaly by Unknown (2)
Josefine Gallmeyer by Luckhardt
Josefine Gallmeyer by Rabending (1)
Josefine Gallmeyer by Rabending (2)
Josefine Gallmeyer by Rabending (3)
Gabrielle Krauss by Nadar
Joakim Tartakov by Fr. de Mezer
Constance Nantier-Didiée by Caldesi (2)
Constance Nantier-Didiée by Caldesi (1)
Pauline Viardot-Garcia by Disdéri (10)
Rosine Bloch by Petit (1)
Auguste Boudouresque by Petit (2)
Fidès Devriès by Reutlinger
Short note with autograph Jean-Baptiste Faure
Jean-Baptiste Faure by Reutlinger (3)
Jean-Baptiste Faure by Reutlinger (2)
Eugen Degele by Gottheil & Sohn
Franz Nachbaur by Bieber
Max Alvary by Sarony
Pierre Gailhard by Stereoscopic
Gian Francesco Angelini by Disdéri
Elias Nathan by Petit & Trinquart
Enrico Delle Sedie by Numa Blanc
Enrico Delle Sedie's autograph at the back
Pauline Viardot-Garcia by Disdéri (9)
Short note with autograph Célestine Galli-Marié
Célestine Galli-Marié by Nadar (1)
Célestine Galli-Marié's autograph at the back
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Josef Paleček and Julia Platonowa by Wesenberg
Julia Federowna Platonowa (1841-1892); Russian soprano.
In 1863 she made her debut at the Mariinsky Theatre in St. Petersburg as Antonida in Glinka's "Iwan Susanin" ("Ein Leben für den Zaren"). Until 1876 she was one of the prima donnas of this Opera House where she sang at various premières. In 1869 she created the role of Maria in Cesar Cui's opera "William Ratcliff", in 1872 Donna Anna in "Der steinerne Gast" by Dargomyshski, in 1873 Olga in "Das Mädchen von Pskow" by Rimsky-Korsakov and in 1874 Marina in Mussorgsky's "Boris Gudonov". She also had a distinguished career as a concert singer.
Josef Paleček (1840-1915); Czech bass.
In 1864 he made his debut at the Provisional National Theatre in Prague as Sarastro in Mozart's "Die Zauberflöte". Soon he performed important roles like Mephisto in "Faust", Falstaff in "Die lustigen Weibern von Windsor", Figaro in "Le nozze di Figaro" and the Cardinal in "La Juive". Here he sang at three world premières of operas by Smetana: as Kmet in "Die Brandenburger in Böhmen" (1866), as Kruschina in "Die verkaufte Braut" (1866) and as Benes in "Dalibor" (1868). In 1869 he joined the Italian Opera company in Moscow, but the following year he transferred to the Mariinsky Theatre in St. Petersburg. In 1874 he created the role of Rangoni in Mussorgksky's "Boris Gudonov" and in 1880 Sergey Kiribeyevich in Rubinstein's "The merchant Kalashnikov". At the Mariinsky he had a great career that lasted 40 years.
On the photo from 1874 they are seen in their creator roles of Rangoni and Marina in Modest Mussorgsky's opera "Boris Godunov". The première took place at the Mariinsky Theatre in St. Petersburg on 27 January 1874.
In 1863 she made her debut at the Mariinsky Theatre in St. Petersburg as Antonida in Glinka's "Iwan Susanin" ("Ein Leben für den Zaren"). Until 1876 she was one of the prima donnas of this Opera House where she sang at various premières. In 1869 she created the role of Maria in Cesar Cui's opera "William Ratcliff", in 1872 Donna Anna in "Der steinerne Gast" by Dargomyshski, in 1873 Olga in "Das Mädchen von Pskow" by Rimsky-Korsakov and in 1874 Marina in Mussorgsky's "Boris Gudonov". She also had a distinguished career as a concert singer.
Josef Paleček (1840-1915); Czech bass.
In 1864 he made his debut at the Provisional National Theatre in Prague as Sarastro in Mozart's "Die Zauberflöte". Soon he performed important roles like Mephisto in "Faust", Falstaff in "Die lustigen Weibern von Windsor", Figaro in "Le nozze di Figaro" and the Cardinal in "La Juive". Here he sang at three world premières of operas by Smetana: as Kmet in "Die Brandenburger in Böhmen" (1866), as Kruschina in "Die verkaufte Braut" (1866) and as Benes in "Dalibor" (1868). In 1869 he joined the Italian Opera company in Moscow, but the following year he transferred to the Mariinsky Theatre in St. Petersburg. In 1874 he created the role of Rangoni in Mussorgksky's "Boris Gudonov" and in 1880 Sergey Kiribeyevich in Rubinstein's "The merchant Kalashnikov". At the Mariinsky he had a great career that lasted 40 years.
On the photo from 1874 they are seen in their creator roles of Rangoni and Marina in Modest Mussorgsky's opera "Boris Godunov". The première took place at the Mariinsky Theatre in St. Petersburg on 27 January 1874.
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