Ada Adini by Rossi
Marie van Zandt by Benque (1)
Marie Renard by Adèle (8)
Rose Caron by Benque (1)
Pauline Viardot-Garcia by Disdéri (8)
Lodovico Graziani by Bernoud
Angiolina Bosio by Mayer & Pierson
Célestine Galli-Marié's autograph at the back
Célestine Galli-Marié by Nadar (1)
Short note with autograph Célestine Galli-Marié
Pauline Viardot-Garcia by Disdéri (9)
Enrico Delle Sedie's autograph at the back
Enrico Delle Sedie by Numa Blanc
Elias Nathan by Petit & Trinquart
Gian Francesco Angelini by Disdéri
Pierre Gailhard by Stereoscopic
Max Alvary by Sarony
Franz Nachbaur by Bieber
Eugen Degele by Gottheil & Sohn
Jean-Baptiste Faure by Reutlinger (2)
Jean-Baptiste Faure by Reutlinger (3)
Short note with autograph Jean-Baptiste Faure
Fidès Devriès by Reutlinger
Karl Streitmann by Rockwood
Katharina Klafsky by Bieber (2)
Carl Mayerhofer by Müller Jun.
Carl Mayerhofer's autograph at the back
Stepan Vlasov by Unknown
Ippolit Petrovich Pryanishnikov by Aleksandrovski
Pavel Akinfievich Khohklov by Konarski
Pavel Akinfievich Khohklov by Unknown
Rudolf Walin by Lundbergh
Olof Strandberg by Unknown
Louise Michaëli by Florman
Anna Maria Strandberg by Dahllöf
Louise Pyk by Florman
Anders Willman by Florman
Fritz Arlberg by Unknown
Leonard Labatt by Luckhardt
Signe Hebbe by Eurenius & Quist
Signe Hebbe by Florman
Anna Klemming by Florman
Märta Petrini by Dahllöf
Sigrid Arnoldson by Nadar
Anna Klemming by Dahllöf
See also...
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
597 visits
Alexander Girardi by Chmielevsky
Alexander Girardi (1850-1918); Austrian tenor.
He was raised by his stepfather who put him into a locksmith apprenticeship. Against his stepfather's wishes, he joined the amateur theatre in 1868 where his acting talent was discovered. One of his first public performances was in 1869 in Rohitsch-Sauerbrunn and was followed by engagements in Krems, Karlsbad, Ischl and Salzburg. This led to an engagement in Vienna at the Strampfer-Theater in 1871. In 1874 Girardi moved to the Theater an der Wien, where he continued to work for 22 years. In 1896/97 he worked at the Carltheater and then in 1898 at the Volkstheater in Vienna. In 1902 he returned to the Theater an der Wien. He also had guest appearances at other important theatres in Vienna and toured Germany (Berlin, Hamburg, Dresden). He sang at many premières of operettas. The best known are the roles of Blasoni in Johann Strauss's "Cagliostro in Wien" (1875), Andredl in Karl Millöcker's "Das verwunschene Schloss"(1878), Jan Janicki in Millöcker's "Der Bettelstudent" (1882), Benozzo in Millöcker's "Gasparone" (1884), Kálmán Zsupán in Strauss's "Der Zigeunerbaron" (1885), the title role in Johann Strauss' "Simplicius" (1887), Adam in Carl Zeller's "Der Vogelhändler" (1891), the title role in Edmund Eysler's "Bruder Straubinger" (1903) and Pali Rácz in Emmerich Kálmán’s "Der Zigeunerprimas" (1912). Girardi contributed greatly to the Golden Age of Vienna operetta.
He was raised by his stepfather who put him into a locksmith apprenticeship. Against his stepfather's wishes, he joined the amateur theatre in 1868 where his acting talent was discovered. One of his first public performances was in 1869 in Rohitsch-Sauerbrunn and was followed by engagements in Krems, Karlsbad, Ischl and Salzburg. This led to an engagement in Vienna at the Strampfer-Theater in 1871. In 1874 Girardi moved to the Theater an der Wien, where he continued to work for 22 years. In 1896/97 he worked at the Carltheater and then in 1898 at the Volkstheater in Vienna. In 1902 he returned to the Theater an der Wien. He also had guest appearances at other important theatres in Vienna and toured Germany (Berlin, Hamburg, Dresden). He sang at many premières of operettas. The best known are the roles of Blasoni in Johann Strauss's "Cagliostro in Wien" (1875), Andredl in Karl Millöcker's "Das verwunschene Schloss"(1878), Jan Janicki in Millöcker's "Der Bettelstudent" (1882), Benozzo in Millöcker's "Gasparone" (1884), Kálmán Zsupán in Strauss's "Der Zigeunerbaron" (1885), the title role in Johann Strauss' "Simplicius" (1887), Adam in Carl Zeller's "Der Vogelhändler" (1891), the title role in Edmund Eysler's "Bruder Straubinger" (1903) and Pali Rácz in Emmerich Kálmán’s "Der Zigeunerprimas" (1912). Girardi contributed greatly to the Golden Age of Vienna operetta.
OperaMania has particularly liked this photo
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
Sign-in to write a comment.