Alexander Girardi by Chmielevsky
Ada Adini by Rossi
Marie van Zandt by Benque (1)
Marie Renard by Adèle (8)
Rose Caron by Benque (1)
Pauline Viardot-Garcia by Disdéri (8)
Lodovico Graziani by Bernoud
Angiolina Bosio by Mayer & Pierson
Célestine Galli-Marié's autograph at the back
Célestine Galli-Marié by Nadar (1)
Short note with autograph Célestine Galli-Marié
Pauline Viardot-Garcia by Disdéri (9)
Enrico Delle Sedie's autograph at the back
Enrico Delle Sedie by Numa Blanc
Elias Nathan by Petit & Trinquart
Gian Francesco Angelini by Disdéri
Pierre Gailhard by Stereoscopic
Max Alvary by Sarony
Franz Nachbaur by Bieber
Eugen Degele by Gottheil & Sohn
Jean-Baptiste Faure by Reutlinger (2)
Jean-Baptiste Faure by Reutlinger (3)
Short note with autograph Jean-Baptiste Faure
Katharina Klafsky by Bieber (2)
Carl Mayerhofer by Müller Jun.
Carl Mayerhofer's autograph at the back
Stepan Vlasov by Unknown
Ippolit Petrovich Pryanishnikov by Aleksandrovski
Pavel Akinfievich Khohklov by Konarski
Pavel Akinfievich Khohklov by Unknown
Rudolf Walin by Lundbergh
Olof Strandberg by Unknown
Louise Michaëli by Florman
Anna Maria Strandberg by Dahllöf
Louise Pyk by Florman
Anders Willman by Florman
Fritz Arlberg by Unknown
Leonard Labatt by Luckhardt
Signe Hebbe by Eurenius & Quist
Signe Hebbe by Florman
Anna Klemming by Florman
Märta Petrini by Dahllöf
Sigrid Arnoldson by Nadar
Anna Klemming by Dahllöf
Oscar Arnoldson by Waldemar Dahlöff
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Karl Streitmann by Rockwood
![Karl Streitmann by Rockwood Karl Streitmann by Rockwood](https://cdn.ipernity.com/200/44/78/36624478.7b397e9a.640.jpg?r2)
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Karl Streitmann (1858-1937); Austrian tenor.
In 1879 he started his career at the Wiener Carl-Theater; here he performed both as an actor and as a singer for the next three years. In 1882 he was engaged by the Landestheater Prag where he started singing operetta. In guest appearances he switched to opera roles like Don José in "Carmen", Tamino in "Die Zauberflöte", Wilhelm Meister in "Mignon" and even Manrico in "Il Trovatore". In 1885 he left Prague for an engagement at the Theater an der Wien, where he became one of the most popular operetta singers of the Austrian capital. Here he created in 1885 the role of Barinkay in Johann Strauss' "Der Zigeunerbaron". He sang at numerous operetta premières; the best known are "Simplicius" (1887), "Der Obersteiger" (1894), "Fürstin Ninetta" (1895), "Waldmeister" (1895), "Die Göttin der Vernunft" (1896), "Der Rastelbinder" (1902), "Der Göttergatte" (1904) and "Der Schätzmeister" (1904). In 1888 he made a successful guest appearance at the Hofoper Berlin performing the role of Lyonel in Von Flotow's opera "Martha". In 1889 he undertook a major tour through the USA; he sang the role of Barinkay at the American première of "Der Zigeunerbaron" in New York. After three years he returned in 1892 to the Wiener Theater in Vienna. His last public performances were in 1922.
In 1879 he started his career at the Wiener Carl-Theater; here he performed both as an actor and as a singer for the next three years. In 1882 he was engaged by the Landestheater Prag where he started singing operetta. In guest appearances he switched to opera roles like Don José in "Carmen", Tamino in "Die Zauberflöte", Wilhelm Meister in "Mignon" and even Manrico in "Il Trovatore". In 1885 he left Prague for an engagement at the Theater an der Wien, where he became one of the most popular operetta singers of the Austrian capital. Here he created in 1885 the role of Barinkay in Johann Strauss' "Der Zigeunerbaron". He sang at numerous operetta premières; the best known are "Simplicius" (1887), "Der Obersteiger" (1894), "Fürstin Ninetta" (1895), "Waldmeister" (1895), "Die Göttin der Vernunft" (1896), "Der Rastelbinder" (1902), "Der Göttergatte" (1904) and "Der Schätzmeister" (1904). In 1888 he made a successful guest appearance at the Hofoper Berlin performing the role of Lyonel in Von Flotow's opera "Martha". In 1889 he undertook a major tour through the USA; he sang the role of Barinkay at the American première of "Der Zigeunerbaron" in New York. After three years he returned in 1892 to the Wiener Theater in Vienna. His last public performances were in 1922.
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