Pavel Akinfievich Khohklov by Konarski
Ippolit Petrovich Pryanishnikov by Aleksandrovski
Stepan Vlasov by Unknown
Carl Mayerhofer's autograph at the back
Carl Mayerhofer by Müller Jun.
Katharina Klafsky by Bieber (2)
Karl Streitmann by Rockwood
Alexander Girardi by Chmielevsky
Ada Adini by Rossi
Marie van Zandt by Benque (1)
Marie Renard by Adèle (8)
Rose Caron by Benque (1)
Pauline Viardot-Garcia by Disdéri (8)
Lodovico Graziani by Bernoud
Angiolina Bosio by Mayer & Pierson
Célestine Galli-Marié's autograph at the back
Célestine Galli-Marié by Nadar (1)
Short note with autograph Célestine Galli-Marié
Pauline Viardot-Garcia by Disdéri (9)
Enrico Delle Sedie's autograph at the back
Enrico Delle Sedie by Numa Blanc
Elias Nathan by Petit & Trinquart
Gian Francesco Angelini by Disdéri
Rudolf Walin by Lundbergh
Olof Strandberg by Unknown
Louise Michaëli by Florman
Anna Maria Strandberg by Dahllöf
Louise Pyk by Florman
Anders Willman by Florman
Fritz Arlberg by Unknown
Leonard Labatt by Luckhardt
Signe Hebbe by Eurenius & Quist
Signe Hebbe by Florman
Anna Klemming by Florman
Märta Petrini by Dahllöf
Sigrid Arnoldson by Nadar
Anna Klemming by Dahllöf
Oscar Arnoldson by Waldemar Dahlöff
Sigrid Arnoldson by Unknown
Sigrid Arnoldson by Walery
Marie Blanche Peschard by Gaston & Mathieu
Marie Desclauzas by Numa Fils (2)
Short note with autograph Marc Bonnehée
Antonio Cotogni by Laurent
Leone Giraldoni by Laurent
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Pavel Akinfievich Khohklov by Unknown
Pavel Akinfievich Khohklov (1854-1919); Russian baritone.
He graduated from the law faculty of Moscow University in 1878. He received his vocal training from Ms. Aleksandrova-Kochetova. From 1879 to 1900 he was a soloist at the Bolshoi Theater with the exception of 1881 and 1887/88 when he sang at the Mariinskii Theater in St. Petersburg. He gave concerts in Moscow, St. Petersburg and other cities in Russia.
He was considered an outstanding representative of the Russian vocal school with his velvety timbre. His impressive physical appearance and noble bearing contributed to the expressiveness of his interpretations. Lyrical parts were Khokhlov’s forte; his most consummate characterizations being the title roles in Tchaikovsky’s "Eugene Onegin" and Rubinstein’s "The Demon". His other parts included Valentine in "Faust", Germont in "La Traviata", Renato in "Un Ballo in Maschera", Wolfram in"Tannhäuser", Eletskii in "The Queen of Spades" and the title role in Borodin’s "Prince Igor". Tchaikovsky and many Russian music critics expressed high praise for Khokhlov’s talent as a singer.
On the photo he is seen as Eugen Onegin in Tchaikovsky's eponymous opera.
He graduated from the law faculty of Moscow University in 1878. He received his vocal training from Ms. Aleksandrova-Kochetova. From 1879 to 1900 he was a soloist at the Bolshoi Theater with the exception of 1881 and 1887/88 when he sang at the Mariinskii Theater in St. Petersburg. He gave concerts in Moscow, St. Petersburg and other cities in Russia.
He was considered an outstanding representative of the Russian vocal school with his velvety timbre. His impressive physical appearance and noble bearing contributed to the expressiveness of his interpretations. Lyrical parts were Khokhlov’s forte; his most consummate characterizations being the title roles in Tchaikovsky’s "Eugene Onegin" and Rubinstein’s "The Demon". His other parts included Valentine in "Faust", Germont in "La Traviata", Renato in "Un Ballo in Maschera", Wolfram in"Tannhäuser", Eletskii in "The Queen of Spades" and the title role in Borodin’s "Prince Igor". Tchaikovsky and many Russian music critics expressed high praise for Khokhlov’s talent as a singer.
On the photo he is seen as Eugen Onegin in Tchaikovsky's eponymous opera.
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