Rudolf Walin by Lundbergh
Pavel Akinfievich Khohklov by Unknown
Pavel Akinfievich Khohklov by Konarski
Ippolit Petrovich Pryanishnikov by Aleksandrovski
Stepan Vlasov by Unknown
Carl Mayerhofer's autograph at the back
Carl Mayerhofer by Müller Jun.
Katharina Klafsky by Bieber (2)
Karl Streitmann by Rockwood
Alexander Girardi by Chmielevsky
Ada Adini by Rossi
Marie van Zandt by Benque (1)
Marie Renard by Adèle (8)
Rose Caron by Benque (1)
Pauline Viardot-Garcia by Disdéri (8)
Lodovico Graziani by Bernoud
Angiolina Bosio by Mayer & Pierson
Célestine Galli-Marié's autograph at the back
Célestine Galli-Marié by Nadar (1)
Short note with autograph Célestine Galli-Marié
Pauline Viardot-Garcia by Disdéri (9)
Enrico Delle Sedie's autograph at the back
Enrico Delle Sedie by Numa Blanc
Louise Michaëli by Florman
Anna Maria Strandberg by Dahllöf
Louise Pyk by Florman
Anders Willman by Florman
Fritz Arlberg by Unknown
Leonard Labatt by Luckhardt
Signe Hebbe by Eurenius & Quist
Signe Hebbe by Florman
Anna Klemming by Florman
Märta Petrini by Dahllöf
Sigrid Arnoldson by Nadar
Anna Klemming by Dahllöf
Oscar Arnoldson by Waldemar Dahlöff
Sigrid Arnoldson by Unknown
Sigrid Arnoldson by Walery
Marie Blanche Peschard by Gaston & Mathieu
Marie Desclauzas by Numa Fils (2)
Short note with autograph Marc Bonnehée
Antonio Cotogni by Laurent
Leone Giraldoni by Laurent
Marc Bonnehée by Disdéri
Emilia La Grua by Disdéri (3)
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Olof Strandberg by Unknown
Olof Strandberg (1816-1882); Swedish tenor.
In 1841 he made his debut at the Royal Opera Stockholm as Max in "Der Freischütz". His most memorable roles were Fra Diavolo, Tamino in "Die Zauberflöte", Masaniello in "La Muette de Portici", Robert le Diable, Stradella, Ernani, Georges in "La Dame Blanche", Edgardo in "Lucia di Lammermoor", Raoul in "Les Huguenots" , Jean de Leyde in "Le Prophète". Huon in "Oberon" and Arnold in "Guillaume Tell". He possessed an excellent tenor voice but his dramatic talent and appearance were not so impressive. For that reason he achieved his greatest successes at concerts and not on the opera stage. He retired in 1869. After his retirement he was employee of the Swedish "Official Gazette", where his brother was editor. He held this function until his death in 1882.
Strandberg was a member of the Royal Academy of Music since 1855. He was the father of the soprano Anna Maria Strandberg (1852-1933) and the tenor Max Strandberg (1854-1939). He was also the father-in-law of opera singer Maria Wilhelmina Strandberg.
In 1841 he made his debut at the Royal Opera Stockholm as Max in "Der Freischütz". His most memorable roles were Fra Diavolo, Tamino in "Die Zauberflöte", Masaniello in "La Muette de Portici", Robert le Diable, Stradella, Ernani, Georges in "La Dame Blanche", Edgardo in "Lucia di Lammermoor", Raoul in "Les Huguenots" , Jean de Leyde in "Le Prophète". Huon in "Oberon" and Arnold in "Guillaume Tell". He possessed an excellent tenor voice but his dramatic talent and appearance were not so impressive. For that reason he achieved his greatest successes at concerts and not on the opera stage. He retired in 1869. After his retirement he was employee of the Swedish "Official Gazette", where his brother was editor. He held this function until his death in 1882.
Strandberg was a member of the Royal Academy of Music since 1855. He was the father of the soprano Anna Maria Strandberg (1852-1933) and the tenor Max Strandberg (1854-1939). He was also the father-in-law of opera singer Maria Wilhelmina Strandberg.
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