Carroll on the Rocks
Nose is a Nose is a Nose
Burning the Baker
«L.C. forgot that "the Snark" is a tragedy and [sh…
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h20 - BellmansMap
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Schnarkverschlimmbesserung
Seeing Letters, Skulls and Faces
Thomas Cranmer's Burning
The Expression of Emotions
Mary's and the Baker's Kerchiefs
The Flaw was no Flaw
The removed "error" had a purpose
Heads by Henry Holiday and Marcus Gheeraerts the E…
Waistcoat Poetry
Recycled Bellman Draft
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Easter Greeting
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White Spot
Herbs & Horses
IT WAS A BOOJUM
Two Bone Players
The Bankers Fate
So great was his fright that his waistcoat turned…
Two Noses
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jub jub jub jub jub jub jub jub jub jub jub jub ..…
Holiday - Millais - Anonymous - Galle; detail
Bellman & Bard after retinex filtering
Bellman & Bard after retinex filtering
Bellman & Bard
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The Butcher & the young Raleigh (details)
Bellmen on the Rocks
Bellmen
Adriano Orefice: La cerca dello Squallo
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Nosemorph
Thomas Cranmer's Burning
Lacing Pillow
TruthProof
The Boojum sitting on some of the 42 boxes
IT WAS A BOOJUM (bw)
The Bellman and Sir Henry Lee (no marks)
Bankersnatched by the Bandersnatch
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The Baker's 42 Boxes and Iconoclasm
[left]: Detail from Henry Holiday's depiction of the Baker's 42 boxes in an illustration (engraved by Joseph Swain) to Lewis Carroll's The Hunting of the Snark.
[right]: Anonymous: Detail from the painting Edward VI and the Pope, An Allegory of Reformation, mirrored view (16th century). Iconoclasm depicted in a window-like inset. Under the inset sits Thomas Cranmer (not visible in this detail) who wrote the 42 Articles in 1552. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567).
[right]: Anonymous: Detail from the painting Edward VI and the Pope, An Allegory of Reformation, mirrored view (16th century). Iconoclasm depicted in a window-like inset. Under the inset sits Thomas Cranmer (not visible in this detail) who wrote the 42 Articles in 1552. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567).
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