Snarked: Henry George Liddell
Henry George Liddell in "The Hunting of the Snark"
Darwin's Fireplace and the Baker's Dear Uncle
Wood Shavings turned Pope (1st version)
Thomas Cranmer's Burning
The Butcher & the young Raleigh (details)
Holiday - Millais - Anonymous - Galle; detail
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Uncle over Darwin's Fireplace
The Billiard marker
Holiday and Gheeraerts I
An Expedition Team
With yellow kid gloves and a ruff
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
Inspiration by Reinterpretation
Tree of Life
The Butcher and Benjamin Jowett
Neuman, Butcher, Jowett
The Snark in your Dreams
Snark Hunt: Square One
Priest in the Mouth
Holiday and Gheeraerts I
The Boojum sitting on some of the 42 boxes
Nosemorph
J. J. Grandville's Monsters
Holidays Boojum
Two Noses
Carroll's Barrister's Dream
Dream Snarks
The Hunting of the Snark
A Nose Job
The Hunting Of The Snark
The Bandersnatch fled as the others appeared
IT WAS A BOOJUM
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM (bw)
So great was his fright that his waistcoat turned…
Ceci n'est pas une cloche
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
6 Sources to the Beaver's Lesson
The Baker's 42 Boxes
Weeds turned Horses (2)
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Thumb & Lappet
Bonnet Head
Billiard-Marker & Henry George Liddell
Hidden Carrol
A little Zoo in Charles Darwin's Study
Star and Tail
William III, Religion and Liberty, Care and Hope
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Broker's and the Monk's Nose
Millais, Anonymous, Galle
Weeds turned Horses (BW)
Weeds turned Horses
Weeds turned Horses (detail)
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Hennry Holiday, the Bonnetmaker and a Bonnet
Doré (1863), Holiday (1876), Doré (1866)
Henry Holiday alluding to John Martin
White Spot
Two Bone Players
The Monster in the Branches
jub jub jub jub jub jub jub jub jub jub jub jub ..…
Bellman & Bard after retinex filtering
Where do Boojums live?
Bellman & Bard for B&W printing
Bellman & Bard after retinex filtering
Bellman & Bard
Bellman & Bard
Bellmen on the Rocks
The Art of Deniability
The Bellman and Charles Darwin
Snark Logo
The Vanishing and the Gneiss Rock
Henry Holiday & John Martin
The Bellman and Sir Henry Lee (no marks)
Bankersnatched by the Bandersnatch
Bellmen
Gnarly Monstrance
Bard and Bellman
Thomas Cramer's hand?
"But if ever I meet with a Boojum, that day, I sha…
Beagle and Beagle?
The Bell?
While he rattled a couple of bones
While he rattled a couple of bones
Crossing the Line
Anne I?
The Bellman and Father Time
Snark Hunting with the HMS Beagle
The Bellman and Sir Henry Lee
Beagle Landing
Beagle Laid Ashore (2)
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Holiday - Millais- Anonymous - Galle, detail
#1 - (allusion to the bedpost #3): 1876, Henry Holiday: Segment of an illustration to Lewis Carroll's The Hunting of the Snark (vectorized after a scan from an 1911 edition of the Snark)
#2 - (allusion to the bedpost #3 and to Philip Galle's print #4): 1850, the young John the Baptist in John Everett Millais: Christ in the House of His Parents (aka The Carpenter's Shop). The left leg of the boy looks a bit deformed. This is no mistake. Probably Millais referred to #3 and to #4.
#3 - (Henry VIII's bedpost): 16th century, anonymous: Redrawn segment of Edward VI and the Pope, An Allegory of Reformation, (mirror view).
#4 - (bedpost #3 alludes to bedpost #4): 1564, Redrawn segment of a print Ahasuerus consulting the records by Philip Galle after Maarten van Heemskerck. The resemblance of #4 to the image #3 (the bedpost) was shown by the late Dr. Margaret Aston in 1994 in The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (p. 68). She also compared the bedpost to Heemskerck's Esther Crowned by Ahasuerus.
#2 - (allusion to the bedpost #3 and to Philip Galle's print #4): 1850, the young John the Baptist in John Everett Millais: Christ in the House of His Parents (aka The Carpenter's Shop). The left leg of the boy looks a bit deformed. This is no mistake. Probably Millais referred to #3 and to #4.
#3 - (Henry VIII's bedpost): 16th century, anonymous: Redrawn segment of Edward VI and the Pope, An Allegory of Reformation, (mirror view).
#4 - (bedpost #3 alludes to bedpost #4): 1564, Redrawn segment of a print Ahasuerus consulting the records by Philip Galle after Maarten van Heemskerck. The resemblance of #4 to the image #3 (the bedpost) was shown by the late Dr. Margaret Aston in 1994 in The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (p. 68). She also compared the bedpost to Heemskerck's Esther Crowned by Ahasuerus.
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