IT WAS A BOOJUM
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM (bw)
So great was his fright that his waistcoat turned…
Banner for Crossover Books Group
Logo for Crossover Books Group
Ceci n'est pas une cloche
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
The Hunting Of The Snark
A Nose Job
The Hunting of the Snark
Dream Snarks
Carroll's Barrister's Dream
Two Noses
Holidays Boojum
J. J. Grandville's Monsters
Nosemorph
The Boojum sitting on some of the 42 boxes
Holiday and Gheeraerts I
Priest in the Mouth
Snark Hunt: Square One
The Snark in your Dreams
Neuman, Butcher, Jowett
The Butcher and Benjamin Jowett
Tree of Life
Inspiration by Reinterpretation
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
With yellow kid gloves and a ruff
An Expedition Team
Holiday and Gheeraerts I
The Billiard marker
The Uncle over Darwin's Fireplace
Monster Nose
The Broker's and the Monk's Nose (with a little he…
Holiday - Millais - Anonymous - Galle; detail
The Butcher & the young Raleigh (details)
Thomas Cranmer's Burning
Wood Shavings turned Pope (1st version)
Darwin's Fireplace and the Baker's Dear Uncle
Henry George Liddell in "The Hunting of the Snark"
Snarked: Henry George Liddell
Holiday - Millais- Anonymous - Galle, detail
6 Sources to the Beaver's Lesson
The Baker's 42 Boxes
Weeds turned Horses (2)
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Thumb & Lappet
Bonnet Head
Billiard-Marker & Henry George Liddell
Hidden Carrol
A little Zoo in Charles Darwin's Study
Star and Tail
William III, Religion and Liberty, Care and Hope
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Broker's and the Monk's Nose
Millais, Anonymous, Galle
Weeds turned Horses (BW)
Weeds turned Horses
Weeds turned Horses (detail)
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Hennry Holiday, the Bonnetmaker and a Bonnet
Doré (1863), Holiday (1876), Doré (1866)
See also...
See more...Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
3 842 visits
The Bandersnatch fled as the others appeared
In Lewis Carroll's The Hunting of the Snark, the intertextuality of the poem is paralleled by the interpictoriality of Henry Holiday's illustrations: Here Henry Holiday reinterprets Marcus Gheeraerts I+II.
The image above shows Henry Holiday's illustration to the chapter The Banker's Fate. (A small part of the left side has been removed in order to achieve a 4:3 ratio. The largest size is 5696 x 4352 pixels.) To Holiday's illustration I added images from which, in my opinion, he had borrowed shapes and concepts:
(1) Under the Banker's arm:
* Horizontally compressed segment of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis (yellow frame).
(2) Under the Beaver's paw (mirror views):
* [top]: Marcus Gheeraerts the Younger: Catherine Killigrew, Lady Jermyn (1614)
* [bottom, mirror view]: Marcus Gheeraerts the Younger: Mary Throckmorton, Lady Scudamore (1615)
The image above shows Henry Holiday's illustration to the chapter The Banker's Fate. (A small part of the left side has been removed in order to achieve a 4:3 ratio. The largest size is 5696 x 4352 pixels.) To Holiday's illustration I added images from which, in my opinion, he had borrowed shapes and concepts:
(1) Under the Banker's arm:
* Horizontally compressed segment of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis (yellow frame).
(2) Under the Beaver's paw (mirror views):
* [top]: Marcus Gheeraerts the Younger: Catherine Killigrew, Lady Jermyn (1614)
* [bottom, mirror view]: Marcus Gheeraerts the Younger: Mary Throckmorton, Lady Scudamore (1615)
Stan Askew, Xata have particularly liked this photo
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
·
Fit the Seventh
THE BANKER'S FATE (post+pre banking crisis version!)
489· · They sought it with thimbles, they sought it with care;
490· · · · They pursued it with forks and hope;
491· · They threatened its life with a railway-share;
492· · · · They charmed it with smiles and soap.
493· · And the Banker, inspired with a courage so new
494· · · · It was matter for general remark,
495· · Rushed madly ahead and was lost to their view
496· · · · In his zeal to discover the Snark
497· · But while he was seeking with thimbles and care,
498· · · · A Bankersnatch swiftly drew nigh
499· · And grabbed at the Banker, who shrieked in despair,
500· · · · For he knew it was useless to fly.
501· · He offered large discount--he offered a cheque
502· · · · (Drawn "to bearer") for seven-pounds-ten:
503· · But the Bankersnatch merely extended its neck
504· · · · And grabbed at the Banker again.
505· · Without rest or pause--while those frumious jaws
506· · · · Went savagely snapping around-
507· · He skipped and he hopped, and he floundered and flopped,
508· · · · Till fainting he fell to the ground.
509· · The Bankersnatch fled as the others appeared
510· · · · Led on by that fear-stricken yell:
511· · And the Bellman remarked "It is just as I feared!"
512· · · · And solemnly tolled on his bell.
513· · He was black in the face, and they scarcely could trace
514· · · · The least likeness to what he had been:
515· · While so great was his fright that his waistcoat turned white-
516· · · · A wonderful thing to be seen!
517· · To the horror of all who were present that day.
518· · · · He uprose in full evening dress,
519· · And with senseless grimaces endeavoured to say
520· · · · What his tongue could no longer express.
521· · Down he sank in a chair--ran his hands through his hair--
522· · · · And chanted in mimsiest tones
523· · Words whose utter inanity proved his insanity,
524· · · · While he rattled a couple of bones.
525· · "Leave him here to his fate--it is getting so late!"
526· · · · The Bellman exclaimed in a fright.
527· · "We have lost half the day. Any further delay,
528· · · · And we sha'nt catch a Snark before night!"
Hang It!
seen in Assemblage
Sign-in to write a comment.