6 Sources to the Beaver's Lesson
The Boojum sitting on some of the 42 boxes
Bellman & Bard
Bellman & Bard
Bellman & Bard after retinex filtering
Holiday - Millais - Anonymous - Galle; detail
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Monster in the Branches
Carpenters Shop and Millais' Allusions
Two Noses
So great was his fright that his waistcoat turned…
The Bankers Fate
Two Bone Players
White Spot
Dream Snarks
Paradise Lost and the Beaver's Lesson
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
Gnarly Monstrance
Bard and Bellman
Hidden Carrol
"But if ever I meet with a Boojum, that day, I sha…
The Snark in your Dreams
The Butcher and Benjamin Jowett
Ditchley Snark
IT WAS A BOOJUM
While he rattled a couple of bones
While he rattled a couple of bones
Crossing the Line
The Bellman and Father Time
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
The Bandersnatch fled as the others appeared
Weeds turned Horses (BW)
Weeds turned Horses
Holiday - Millais - Anonymous - Galle
Holiday and Gheeraerts I
Doré (1863), Holiday (1876), Doré (1866)
Henry Holiday alluding to John Martin
A Nose Job
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42 Boxes meet the Iconoclasts
[left]: Segment (devided) of Henry Holiday's depiction of the Baker's visit to his uncle (1876) in Lewis Carroll's The Hunting of the Snark (engraved by Joseph Swain). Outside of the window are some of the Baker's 42 boxes.
[right]: Anonymous: Segment (two times) of Edward VI and the Pope, An Allegory of Reformation, mirrored view (16th century). Iconoclasm depicted in the window. Under the window (see below) is Thomas Cranmer who wrote the 42 Articles in 1552. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567). From Margaret Aston's book I learned that the section showing the iconoclasm scene is an inset, not a window. Actually, it may have been an inset which was meant to be perceived as a window as well.
[right]: Anonymous: Segment (two times) of Edward VI and the Pope, An Allegory of Reformation, mirrored view (16th century). Iconoclasm depicted in the window. Under the window (see below) is Thomas Cranmer who wrote the 42 Articles in 1552. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567). From Margaret Aston's book I learned that the section showing the iconoclasm scene is an inset, not a window. Actually, it may have been an inset which was meant to be perceived as a window as well.
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