While he rattled a couple of bones
While he rattled a couple of bones
IT WAS A BOOJUM
Ditchley Snark
Hidden Carrol
Trump Tower
Two Bone Players
Ceci n'est pas une cloche
Eagle and Star
John Martin' s "The Bard" prepared for analysis
John Martin's Bard and Henry Holiday's Snark Illus…
Detail of tilework
Heads by Henry Holiday and Marcus Gheeraerts the E…
Crossing the Line
A little Zoo in Charles Darwin's Study
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
William III, Religion and Liberty, Care and Hope
Star and Tail
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Bandersnatch fled as the others appeared
The Paranoiac-Critical Method serves the Art of De…
Holiday and Gheeraerts I
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Doré (1863), Holiday (1876), Doré (1866)
The Hunting of the Snark
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The Banker's Nose and Spectacles
[left]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration (woodcut by Joseph Swain for block printing) to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book)
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). In a subsection (yellow frame) the luminosity has been inverted. There you see a part of the Banker's "spectacles". Also I mirrored the "nose" about a horizontal axis (inset in left image).
2009-01-27 is the date of the 1st version of this comparison.
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). In a subsection (yellow frame) the luminosity has been inverted. There you see a part of the Banker's "spectacles". Also I mirrored the "nose" about a horizontal axis (inset in left image).
2009-01-27 is the date of the 1st version of this comparison.
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The Paul Juraszek Monolith (by Marcus Wills, 2006)