Hennry Holiday, the Bonnetmaker and a Bonnet
Holiday - Millais- Anonymous - Galle, detail
Holiday - Millais - Anonymous - Galle
Weeds turned Horses (detail)
Weeds turned Horses
Weeds turned Horses (BW)
Millais, Anonymous, Galle
The Broker's and the Monk's Nose
Thomas Cranmer's 42 Boxes
42 Boxes, Sheep, Iconoclasm
From Doré's Root to Holiday's Rat
Holiday - Millais - Anonymous - Galle
Kerchiefs and other shapes
Darwin's Study and the Baker's Uncle
William III, Religion and Liberty, Care and Hope
Star and Tail
A little Zoo in Charles Darwin's Study
Hidden Carrol
Billiard-Marker & Henry George Liddell
Bonnet Head
Thumb & Lappet
42 Boxes meet the Iconoclasts
From Doré's Root to Holiday's Rat
Weeds turned Horses (2)
The Baker's 42 Boxes
6 Sources to the Beaver's Lesson
Holiday - Millais- Anonymous - Galle, detail
Snarked: Henry George Liddell
Henry George Liddell in "The Hunting of the Snark"
Darwin's Fireplace and the Baker's Dear Uncle
Wood Shavings turned Pope (1st version)
Thomas Cranmer's Burning
The Butcher & the young Raleigh (details)
Holiday - Millais - Anonymous - Galle; detail
The Broker's and the Monk's Nose (with a little he…
Monster Nose
The Uncle over Darwin's Fireplace
The Billiard marker
Holiday and Gheeraerts I
An Expedition Team
With yellow kid gloves and a ruff
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
Inspiration by Reinterpretation
Tree of Life
The Butcher and Benjamin Jowett
Neuman, Butcher, Jowett
The Snark in your Dreams
Snark Hunt: Square One
Priest in the Mouth
Holiday and Gheeraerts I
The Boojum sitting on some of the 42 boxes
Nosemorph
J. J. Grandville's Monsters
Holidays Boojum
Two Noses
Carroll's Barrister's Dream
Dream Snarks
The Hunting of the Snark
A Nose Job
The Hunting Of The Snark
The Bandersnatch fled as the others appeared
IT WAS A BOOJUM
Henry Holiday alluding to John Martin
White Spot
Two Bone Players
The Monster in the Branches
jub jub jub jub jub jub jub jub jub jub jub jub ..…
Bellman & Bard after retinex filtering
Where do Boojums live?
Bellman & Bard for B&W printing
Bellman & Bard after retinex filtering
Bellman & Bard
Bellman & Bard
Bellmen on the Rocks
The Art of Deniability
The Bellman and Charles Darwin
Snark Logo
The Vanishing and the Gneiss Rock
Henry Holiday & John Martin
The Bellman and Sir Henry Lee (no marks)
Bankersnatched by the Bandersnatch
Bellmen
Gnarly Monstrance
Bard and Bellman
Thomas Cramer's hand?
"But if ever I meet with a Boojum, that day, I sha…
Beagle and Beagle?
The Bell?
While he rattled a couple of bones
While he rattled a couple of bones
Crossing the Line
Anne I?
The Bellman and Father Time
Snark Hunting with the HMS Beagle
The Bellman and Sir Henry Lee
Beagle Landing
Beagle Laid Ashore (2)
The Paranoiac-Critical Method serves the Art of De…
Monster Feet
Henry Holiday's and M.C. Escher's allusions to Joh…
Beagle Laid Ashore
The Billiard Marker & Henry George Liddell
Snarked Workplace
Horses2Herbs
Herbs & Horses
Again: What I tell you three times is true!
The Bankers Fate
pictorial allusions
Tnetopinmo
Adriano Orefice: La cerca dello Squallo
TruthProof
Victor in Your Dreams (2013)
What I tell you three times is true!
SnarkLogo r
SnarkLogo
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Doré (1863), Holiday (1876), Doré (1866)
=== Henry Holiday's Allusions ===
The comparison shows illustrations [right side] by Gustave Doré (to John Milton's Paradise Lost, Book VI, 1866), [left side] Plate I of Gustave Doré's illustrations to chapter 1 in Miguel de Cervantes' Don Quixote (1863 edition) and [center] by Henry Holiday (to The Hunting of the Snark, 1876).
Probably also this applies: Doré (1863) -> Doré (1866). Why shouldn't a prolific artist re-use his own work?
See also: www.academia.edu/9920080/Henry_Holiday_and_Gustave_Dor%C3%A9_borrowing_from_Gustave_Dor%C3%A9
=== Safety at the Workplace ===
The story how I run into The Hunting of the Snark" is has been moved to this image:
www.ipernity.com/doc/goetzkluge/34431511
The comparison shows illustrations [right side] by Gustave Doré (to John Milton's Paradise Lost, Book VI, 1866), [left side] Plate I of Gustave Doré's illustrations to chapter 1 in Miguel de Cervantes' Don Quixote (1863 edition) and [center] by Henry Holiday (to The Hunting of the Snark, 1876).
Probably also this applies: Doré (1863) -> Doré (1866). Why shouldn't a prolific artist re-use his own work?
See also: www.academia.edu/9920080/Henry_Holiday_and_Gustave_Dor%C3%A9_borrowing_from_Gustave_Dor%C3%A9
=== Safety at the Workplace ===
The story how I run into The Hunting of the Snark" is has been moved to this image:
www.ipernity.com/doc/goetzkluge/34431511
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This also is an special finding, as it shows that Doré used the composition of an 1863 illustration (left image) for an 1866 illustration (right image). As he produced lots of illustrations, "copying" from his own work probably almost was a necessity. Artists know how artists work, therefore Henry Holiday may have understood Doré's "self allusion" already many years before I run into this as an outsider. Artists perhaps don't talk about how their colleagues work. But I am not an artist :-)
- www.academia.edu/9920080/Henry_Holiday_and_Gustave_Dor%C3%A9_borrowing_from_Gustave_Dor%C3%A9
- www.academia.edu/9945889/The_Isenheim_Altarpiece_in_The_Hunting_of_the_Snark_
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