Ilma de Murska by Luckhardt
Gustave Roger by Luckhardt
Gustav Walter by Luckhardt
Amalie Materna and Franz Eppich by Luckhardt
Bertha Ehnn and Charles Adams by Luckhardt (1)
Bertha Ehnn and Charles Adams by Luckhardt (2)
Franz Eppich by Gertinger
Bertha Ehnn by Luckhardt
Bertha Ehnn by Mahlknecht (1)
Therese Tietjens by Elliott & Fry (1)
Désirée Artôt by Poulton
Louise Liebhardt by Negretti & Zambra
Short note with autograph Marie Caroline Miolan-Ca…
Short note with autograph Marie Caroline Miolan-Ca…
Marie Caroline Miolan-Carvalho by Maze
Célestine Galli-Marié by Carjat (1)
Célestine Galli-Marié by Saint-Edme
Célestine Galli-Marié by Reutlinger
Pauline Lauters-Gueymard by Reutlinger
Emilia La Grua by Disdéri (2)
Emilia La Grua by Disdéri (3)
Marc Bonnehée by Disdéri
Leone Giraldoni by Laurent
Enrico Tamberlick by Legé & Bergeron
Italo Gardoni by Disdéri (2)
Adèle Isaac by Petit
Joséphine Daram by Petit (1)
Lina Bell by Nadar
Giuseppe Kaschmann by Falk
Jean-Alexandre Talazac by Lopez
Léon Melchissédec by Nadar
Auguste Boudouresque by Petit (1)
Jules Diaz de Soria by Fratelli Vianelli with auto…
Leone Giraldoni by Benque
Désirée Artôt by Feilner
Désirée Artôt and Mariano Padilla y Ramos by Eiche…
Désirée Artôt by Bieber
Francesco Tamagno by Muggia
Ferdinand Mirapelli by Cabibel
Ferdinand Mirapelli's autograph at the back
Christine Nilsson by Le Jeune
Joséphine de Reszke by Mulnier
Pauline Lucca by Loescher & Petsch (2)
Carlotta Carozzi-Zucchi by Fredricks
Juliette Bilbaut-Vauchelet by Carjat
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Nicolas Levasseur by Numa Blanc
Nicolas-Prosper Levasseur (1791-1871); French bass who created the role of Walter Fürst at the première of Rossini's "Guillaume Tell" on 3 August 1829 (Grand-Opéra Paris, Salle le Peletier).
After vocal studies (1807-1811) at the Conservatoire National Paris, he made his debut in 1813 at the Grand-Opéra Paris as Osman Pascha in Grétry's "La caravane du Caïre". From 1815-1817 he was engaged at the King's Theatre London. From 1819-1827 he made a great career at the Théâtre-Italien in Paris and from 1828-1853 he belonged to the most prominent singers of the Grand-Opéra. He sang at numerous premières and the most known are: Don Alvaro in Rossini's "Il viaggio a Reims" (1825), Moïse in Rossini's "Moïse et Pharaon" (1827), the tutor in Rossini's "Le Comte Ory" (1828), Walter Fürst in Rossini's "Guillaume Tell" (1829), Bertram in Meyerbeer's "Robert le Diable" (1831), Cardinal of Brogni in Halévy's "La Juive" (1835), Marcel in Meyerbeer's "Les Huguenots" (1836), Spadoni in Niedermeyer's "Stradella" (1837), Rodolphe in Auber's "Le lac des fées" (1839), Balthazar in Donizetti's "La Favorita" (1840), Zacharie in Meyerbeer's "Le Prophète" (1849), Dom Juam in Donizetti's "Dom Sébastien" (1843) and Raymond in Halévy's "Charles VI" (1843). In 1853 he retired from the stage and was awarded with the "Légion d'honneur". He was considered peerless in his time, possessing a voice of remarkable beauty and grandeur. He taught at the Paris Conservatory from 1841 until 1870.
After vocal studies (1807-1811) at the Conservatoire National Paris, he made his debut in 1813 at the Grand-Opéra Paris as Osman Pascha in Grétry's "La caravane du Caïre". From 1815-1817 he was engaged at the King's Theatre London. From 1819-1827 he made a great career at the Théâtre-Italien in Paris and from 1828-1853 he belonged to the most prominent singers of the Grand-Opéra. He sang at numerous premières and the most known are: Don Alvaro in Rossini's "Il viaggio a Reims" (1825), Moïse in Rossini's "Moïse et Pharaon" (1827), the tutor in Rossini's "Le Comte Ory" (1828), Walter Fürst in Rossini's "Guillaume Tell" (1829), Bertram in Meyerbeer's "Robert le Diable" (1831), Cardinal of Brogni in Halévy's "La Juive" (1835), Marcel in Meyerbeer's "Les Huguenots" (1836), Spadoni in Niedermeyer's "Stradella" (1837), Rodolphe in Auber's "Le lac des fées" (1839), Balthazar in Donizetti's "La Favorita" (1840), Zacharie in Meyerbeer's "Le Prophète" (1849), Dom Juam in Donizetti's "Dom Sébastien" (1843) and Raymond in Halévy's "Charles VI" (1843). In 1853 he retired from the stage and was awarded with the "Légion d'honneur". He was considered peerless in his time, possessing a voice of remarkable beauty and grandeur. He taught at the Paris Conservatory from 1841 until 1870.
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