Léon Melchissédec by Nadar
Jean-Alexandre Talazac by Lopez
Giuseppe Kaschmann by Falk
Lina Bell by Nadar
Joséphine Daram by Petit (1)
Adèle Isaac by Petit
Italo Gardoni by Disdéri (2)
Enrico Tamberlick by Legé & Bergeron
Nicolas Levasseur by Numa Blanc
Ilma de Murska by Luckhardt
Gustave Roger by Luckhardt
Gustav Walter by Luckhardt
Amalie Materna and Franz Eppich by Luckhardt
Bertha Ehnn and Charles Adams by Luckhardt (1)
Bertha Ehnn and Charles Adams by Luckhardt (2)
Franz Eppich by Gertinger
Bertha Ehnn by Luckhardt
Bertha Ehnn by Mahlknecht (1)
Therese Tietjens by Elliott & Fry (1)
Désirée Artôt by Poulton
Louise Liebhardt by Negretti & Zambra
Short note with autograph Marie Caroline Miolan-Ca…
Short note with autograph Marie Caroline Miolan-Ca…
Jules Diaz de Soria by Fratelli Vianelli with auto…
Leone Giraldoni by Benque
Désirée Artôt by Feilner
Désirée Artôt and Mariano Padilla y Ramos by Eiche…
Désirée Artôt by Bieber
Francesco Tamagno by Muggia
Ferdinand Mirapelli by Cabibel
Ferdinand Mirapelli's autograph at the back
Christine Nilsson by Le Jeune
Joséphine de Reszke by Mulnier
Pauline Lucca by Loescher & Petsch (2)
Carlotta Carozzi-Zucchi by Fredricks
Juliette Bilbaut-Vauchelet by Carjat
Adèle Isaac by Thiébault
Mathilde Mallinger by Pierson
Etelka Gerster by Elliott & Fry
Rosa Sucher by Schaarwächter (1)
Márie von Rabatinsky by Unknown
Emilie Herzog by Bieber
Franz Himmer and Marie Friderici by Wenderoth
Émile-Alexandre Taskin by Charles
Enrico Tamberlick by Sarony
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Auguste Boudouresque by Petit (1)
![Auguste Boudouresque by Petit (1) Auguste Boudouresque by Petit (1)](https://cdn.ipernity.com/132/33/35/35143335.27d6286f.640.jpg?r2)
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Auguste Boudouresque (1835-1905); French bass.
As a young man he started a business enterprise and he owned a café in Marseille. His beautiful bass voice was admired by everyone and in 1859 he started a vocal study at the "Conservatoire de Marseille", although he continued working as a businessman and café-owner. In 1874 he made his debut at the Théâtre Valette in Marseille, almost 40 years old, as Silva in Verdi's "Ernani".The success was so great that he was immediately engaged by the Grand Opéra Paris, where he debuted in 1875 as Cardinal de Brogni in Halévy's "La Juive". Until 1884 he was a celebrated singer at this house in roles as Bertram in "Robert le Diable", as Marcel in "Les Huguenots", as Melchtal and Walter Fürst in "Guillaume Tell" and Balthasar in "La Favorita". At their premières he created the role of Timour in Massenet's "Le Roi de Lahore" (1877) and Légat in Saint-Saëns' "Henry VIII" (1883). From 1885 on he made several tours to Italy giving guest performances at Naples, Rome and Milan. In 1887 he performed in Buenos Aires at the Teatro Politeama.
His son Marcel Boudouresque (1862-1940) was also a well-known bass singer, with a similar repertoire as his father.
As a young man he started a business enterprise and he owned a café in Marseille. His beautiful bass voice was admired by everyone and in 1859 he started a vocal study at the "Conservatoire de Marseille", although he continued working as a businessman and café-owner. In 1874 he made his debut at the Théâtre Valette in Marseille, almost 40 years old, as Silva in Verdi's "Ernani".The success was so great that he was immediately engaged by the Grand Opéra Paris, where he debuted in 1875 as Cardinal de Brogni in Halévy's "La Juive". Until 1884 he was a celebrated singer at this house in roles as Bertram in "Robert le Diable", as Marcel in "Les Huguenots", as Melchtal and Walter Fürst in "Guillaume Tell" and Balthasar in "La Favorita". At their premières he created the role of Timour in Massenet's "Le Roi de Lahore" (1877) and Légat in Saint-Saëns' "Henry VIII" (1883). From 1885 on he made several tours to Italy giving guest performances at Naples, Rome and Milan. In 1887 he performed in Buenos Aires at the Teatro Politeama.
His son Marcel Boudouresque (1862-1940) was also a well-known bass singer, with a similar repertoire as his father.
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