Italo Gardoni by Disdéri (2)
Enrico Tamberlick by Legé & Bergeron
Nicolas Levasseur by Numa Blanc
Ilma de Murska by Luckhardt
Gustave Roger by Luckhardt
Gustav Walter by Luckhardt
Amalie Materna and Franz Eppich by Luckhardt
Bertha Ehnn and Charles Adams by Luckhardt (1)
Bertha Ehnn and Charles Adams by Luckhardt (2)
Franz Eppich by Gertinger
Bertha Ehnn by Luckhardt
Bertha Ehnn by Mahlknecht (1)
Therese Tietjens by Elliott & Fry (1)
Désirée Artôt by Poulton
Louise Liebhardt by Negretti & Zambra
Short note with autograph Marie Caroline Miolan-Ca…
Short note with autograph Marie Caroline Miolan-Ca…
Marie Caroline Miolan-Carvalho by Maze
Célestine Galli-Marié by Carjat (1)
Célestine Galli-Marié by Saint-Edme
Célestine Galli-Marié by Reutlinger
Pauline Lauters-Gueymard by Reutlinger
Emilia La Grua by Disdéri (2)
Joséphine Daram by Petit (1)
Lina Bell by Nadar
Giuseppe Kaschmann by Falk
Jean-Alexandre Talazac by Lopez
Léon Melchissédec by Nadar
Auguste Boudouresque by Petit (1)
Jules Diaz de Soria by Fratelli Vianelli with auto…
Leone Giraldoni by Benque
Désirée Artôt by Feilner
Désirée Artôt and Mariano Padilla y Ramos by Eiche…
Désirée Artôt by Bieber
Francesco Tamagno by Muggia
Ferdinand Mirapelli by Cabibel
Ferdinand Mirapelli's autograph at the back
Christine Nilsson by Le Jeune
Joséphine de Reszke by Mulnier
Pauline Lucca by Loescher & Petsch (2)
Carlotta Carozzi-Zucchi by Fredricks
Juliette Bilbaut-Vauchelet by Carjat
Adèle Isaac by Thiébault
Mathilde Mallinger by Pierson
Etelka Gerster by Elliott & Fry
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Adèle Isaac by Petit
Adèle Isaac (1854-1915); French soprano. She studied with the famous tenor Gilbert Duprez. In 1870 she made her debut at the Théâtre Montmartre in Massé's "Les Noces de Jeannette". After the end of the German-French war of 1870/71 she sang first at Liège, then in Brussels. Here she attracted attention singing the young sheperd in Wagner's "Tannhäuser" at the "La Monnaie" theater. In 1873 she was engaged by the Opéra-Comique, where she debuted as Marie in Donizetti's "La Fille du régiment". Especially in the period 1878/88 her career was very successful. She was much estimated as a Mozart interpreter (Susanna in "Le nozze di Figaro" and Zerlina in "Don Giovanni") and in the soprano parts of the operas by Thomas, Hérold, Halévy and Gounod. In 1881 she created the roles of Olympia, Antonia and Stella at the première of Offenbach's "Les Contes d'Hoffmann". In 1887 she created the role of Minka in Chabrier's "Le Roi malgré lui". In the years 1883/85 she was also very successful at the Grand Opéra Paris. She had a brilliant, virtuosic coloratura voice and shone in roles such as Juliette in Gounod's "Roméo et Juliette" and Violetta in Verdi's "La Traviata". After she married in 1887 businessman Charles Lelong her appearances became less frequent. In 1894, she retired from the stage and devoted herself to teaching.
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