Pauline Lucca by Loescher & Petsch (2)
Joséphine de Reszke by Mulnier
Christine Nilsson by Le Jeune
Ferdinand Mirapelli's autograph at the back
Ferdinand Mirapelli by Cabibel
Francesco Tamagno by Muggia
Désirée Artôt by Bieber
Désirée Artôt and Mariano Padilla y Ramos by Eiche…
Désirée Artôt by Feilner
Leone Giraldoni by Benque
Jules Diaz de Soria by Fratelli Vianelli with auto…
Auguste Boudouresque by Petit (1)
Léon Melchissédec by Nadar
Jean-Alexandre Talazac by Lopez
Giuseppe Kaschmann by Falk
Lina Bell by Nadar
Joséphine Daram by Petit (1)
Adèle Isaac by Petit
Italo Gardoni by Disdéri (2)
Enrico Tamberlick by Legé & Bergeron
Nicolas Levasseur by Numa Blanc
Ilma de Murska by Luckhardt
Gustave Roger by Luckhardt
Juliette Bilbaut-Vauchelet by Carjat
Adèle Isaac by Thiébault
Mathilde Mallinger by Pierson
Etelka Gerster by Elliott & Fry
Rosa Sucher by Schaarwächter (1)
Márie von Rabatinsky by Unknown
Emilie Herzog by Bieber
Franz Himmer and Marie Friderici by Wenderoth
Émile-Alexandre Taskin by Charles
Enrico Tamberlick by Sarony
Première-cast "L'Africaine" (5); Armand Castelmary…
Henri Sellier by Lopez
Numa Auguez by Petit
Pierre-Émile Engel by Nadar
Emilio Naudin by Nadar
Gaetano Fraschini by Numa Blanc
Enrico Tamberlick by Nadar (2)
Louis-Antoine-Eléonore Ponchard by Franck with aut…
Jean Morère by Bacard
Nicolas Levasseur by Petit
Charles-François Duvernoy by Thiebault
Charles-François Duvernoy by Moulin with autograph
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Carlotta Carozzi-Zucchi by Fredricks
Carlotta Carozzi-Zucchi (1831-1898); Italian soprano.
In 1851 she made her debut at the Teatro Piacenza in Lauro Rossi's opera "I falsi monitari". In the following years she developed a successful activity at the major Italian opera houses; Teatro Carolino Palermo, Teatro San Carlo Napoli, Teatro Grande Brescia, Teatro Filarmonico Verona, Teatro Regio Parma, Teatro Apollo Roma, Teatro della Pergola Firenze and the Teatro Ravviati Pisa. She also travaled abroad and in 1859 and 1860 she performed at the Teatro Liceo in Barcelona. In the seasons 1860/61 and 1861/62 she sang at La Scala Milano. For the season 1863/64 she returned to Rome; this time to the Teatro Argentina. In 1865 she participated in a USA tour with the performance of Verdi 's "La forza del destino". She sang the part of Leonore at the American première at the Academy of Music in New York followed by performances in Chicago, Philadelphia and Washington. In 1865 she also sang at the American première of Meyerbeer's "L'Africaine" the role of Selika. She also traveled to South America. In 1869 she made guest appearances at the Teatro Solis in Montevideo and at the Teatro Colon in Buenos Aires (and again in 1875). In 1874 she performed at the Teatro Principal in Lima, also with Verdi's "La Forza del destino".
In 1851 she made her debut at the Teatro Piacenza in Lauro Rossi's opera "I falsi monitari". In the following years she developed a successful activity at the major Italian opera houses; Teatro Carolino Palermo, Teatro San Carlo Napoli, Teatro Grande Brescia, Teatro Filarmonico Verona, Teatro Regio Parma, Teatro Apollo Roma, Teatro della Pergola Firenze and the Teatro Ravviati Pisa. She also travaled abroad and in 1859 and 1860 she performed at the Teatro Liceo in Barcelona. In the seasons 1860/61 and 1861/62 she sang at La Scala Milano. For the season 1863/64 she returned to Rome; this time to the Teatro Argentina. In 1865 she participated in a USA tour with the performance of Verdi 's "La forza del destino". She sang the part of Leonore at the American première at the Academy of Music in New York followed by performances in Chicago, Philadelphia and Washington. In 1865 she also sang at the American première of Meyerbeer's "L'Africaine" the role of Selika. She also traveled to South America. In 1869 she made guest appearances at the Teatro Solis in Montevideo and at the Teatro Colon in Buenos Aires (and again in 1875). In 1874 she performed at the Teatro Principal in Lima, also with Verdi's "La Forza del destino".
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