Minna Peschka-Leutner's autograph at the back
Minna Peschka-Leutner by Eulenstein
Marie Battu by Reutlinger with autograph
Adelina Patti by Disderi (1)
Adelina Patti by Disderi (2)
Julia Reine by Maunoury
Marguerite Decroix by Cremière
Marie Blanche Peschard by Vauvray
Rosine Bloch by Reutlinger
Catarina (Kate) Morensi by Disdéri
Pasquale Brignoli by Case & Getchell
Marie Rôze by Bingham
Marie Rôze by Bénédict
Marie Rôze by Gaston & Mathieu
Marie Rôze by Maunoury
Carlotta Patti by Reutlinger (1)
Carlotta Patti by Reutlinger (2)
Christine Nilsson by Reutlinger (1)
Christine Nilsson by Reutlinger (2)
Christine Nilsson by Reutlinger (3)
Christine Nilsson by Petit
Christine Nilsson by Sarony
Christine Nilsson by Lamm
Heinrich Sontheim by Luckhardt
Marie Wilt by Luckhardt
Gabrielle Krauss by Thiébault
Emil Scaria by Prothmann
Joseph Aloys Tichatschek by Gust Joop
Lorenzo Riese by Schubert
Marie Geistinger by Luckhardt
Marie Geistinger by Mahlknecht (2)
Marie Geistinger by Mahlknecht (1)
Theodor Wachtel by Levinthal
Albert Niemann by Luckhardt
Albert Niemann by Loescher & Petsch
Adelina Patti by Ken
Karoline Tellheim by Luckhardt
Karoline Tellheim by Székely
Pauline Lucca by Graf (2) with autograph
Pauline Lucca by Krause
Pauline Lucca by Graf (1) with autograph
Marianne Brandt by Unknown
Marianne Brandt's autograph at the back
Elisa Wiborg by Waldemar Dahllöf
Charles Louis Pubereaux (Sainte Foy) by Bingham
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Lilly Lehmann by Pierson
Lilli Lehmann (1848-1929); German soprano.
Her father was the tenor Karl August Lehmann (1805-1867) and her mother the soprano Maria Theresia Löw (1809-1885). She started her career singing very small parts, like one of the three boys in “Der Zauberflöte”.
Lehmann sang at the first Bayreuth Festival in 1876, when Wagner's first complete “Der Ring des Nibelungen” (=Das Rheingold, Die Walküre, Siegfried, Götterdämmerung) was performed.
Here she performed the rôle of Woglinde in “Das Rheingold” and “Götterdämmerung” and Helmwige in “Die Walküre” .
At the Metropolitan Opera in New York she sang several American premières of Wagner opera’s like Isolde in “Tristan und Isolde” (1886), Brünnhilde in “Siegfried” (1887) and “Götterdämmerung” (1888) and Venus in “Tannhäuser” (1889). In 1913 she published her autobiography “Mein Weg”. Her repertoire included over a 170 rôles.
Her father was the tenor Karl August Lehmann (1805-1867) and her mother the soprano Maria Theresia Löw (1809-1885). She started her career singing very small parts, like one of the three boys in “Der Zauberflöte”.
Lehmann sang at the first Bayreuth Festival in 1876, when Wagner's first complete “Der Ring des Nibelungen” (=Das Rheingold, Die Walküre, Siegfried, Götterdämmerung) was performed.
Here she performed the rôle of Woglinde in “Das Rheingold” and “Götterdämmerung” and Helmwige in “Die Walküre” .
At the Metropolitan Opera in New York she sang several American premières of Wagner opera’s like Isolde in “Tristan und Isolde” (1886), Brünnhilde in “Siegfried” (1887) and “Götterdämmerung” (1888) and Venus in “Tannhäuser” (1889). In 1913 she published her autobiography “Mein Weg”. Her repertoire included over a 170 rôles.
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