Heinrich Sontheim by Luckhardt
Lilly Lehmann by Pierson
Minna Peschka-Leutner's autograph at the back
Minna Peschka-Leutner by Eulenstein
Marie Battu by Reutlinger with autograph
Adelina Patti by Disderi (1)
Adelina Patti by Disderi (2)
Julia Reine by Maunoury
Marguerite Decroix by Cremière
Marie Blanche Peschard by Vauvray
Rosine Bloch by Reutlinger
Catarina (Kate) Morensi by Disdéri
Pasquale Brignoli by Case & Getchell
Marie Rôze by Bingham
Marie Rôze by Bénédict
Marie Rôze by Gaston & Mathieu
Marie Rôze by Maunoury
Carlotta Patti by Reutlinger (1)
Carlotta Patti by Reutlinger (2)
Christine Nilsson by Reutlinger (1)
Christine Nilsson by Reutlinger (2)
Christine Nilsson by Reutlinger (3)
Christine Nilsson by Petit
Gabrielle Krauss by Thiébault
Emil Scaria by Prothmann
Joseph Aloys Tichatschek by Gust Joop
Lorenzo Riese by Schubert
Marie Geistinger by Luckhardt
Marie Geistinger by Mahlknecht (2)
Marie Geistinger by Mahlknecht (1)
Theodor Wachtel by Levinthal
Albert Niemann by Luckhardt
Albert Niemann by Loescher & Petsch
Adelina Patti by Ken
Karoline Tellheim by Luckhardt
Karoline Tellheim by Székely
Pauline Lucca by Graf (2) with autograph
Pauline Lucca by Krause
Pauline Lucca by Graf (1) with autograph
Marianne Brandt by Unknown
Marianne Brandt's autograph at the back
Elisa Wiborg by Waldemar Dahllöf
Charles Louis Pubereaux (Sainte Foy) by Bingham
Enrico delle Sedie by Nadar
Nicolas-Jean-Jacques Masset by Petit
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Marie Wilt by Luckhardt
Marie Wilt, born Marie Liebenthaler (1833-1891); Austrian soprano.
She made her debut in 1865 as Donna Anna in Mozart's Don Giovanni. She was a friend of Johannes Brahms and sang his compositions. From 1867 until 1877 she was employed at the Vienna Court Opera where she created the role of Sulamith in Goldmark's “Die Königin von Saba/The queen of Sheba” (1875). She retired from the stage in 1890.
She made her debut in 1865 as Donna Anna in Mozart's Don Giovanni. She was a friend of Johannes Brahms and sang his compositions. From 1867 until 1877 she was employed at the Vienna Court Opera where she created the role of Sulamith in Goldmark's “Die Königin von Saba/The queen of Sheba” (1875). She retired from the stage in 1890.
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