The Monster in the Branches
Carpenters Shop and Millais' Allusions
Two Noses
So great was his fright that his waistcoat turned…
The Bankers Fate
Two Bone Players
White Spot
Dream Snarks
Paradise Lost and the Beaver's Lesson
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
The Broker's and the Monk's Nose (with a little he…
Holiday - Millais - Anonymous - Galle; detail
Bellman & Bard after retinex filtering
Bellman & Bard
Bellman & Bard
The Boojum sitting on some of the 42 boxes
6 Sources to the Beaver's Lesson
42 Boxes meet the Iconoclasts
Gnarly Monstrance
Bard and Bellman
Hidden Carrol
"But if ever I meet with a Boojum, that day, I sha…
The Snark in your Dreams
The Butcher and Benjamin Jowett
Ditchley Snark
IT WAS A BOOJUM
While he rattled a couple of bones
While he rattled a couple of bones
Crossing the Line
The Bellman and Father Time
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
The Bandersnatch fled as the others appeared
Weeds turned Horses (BW)
Weeds turned Horses
Holiday - Millais - Anonymous - Galle
Holiday and Gheeraerts I
Doré (1863), Holiday (1876), Doré (1866)
Henry Holiday alluding to John Martin
A Nose Job
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Monster Nose
Color image:
John Martin: lower segment of The Bard, now in the Yale Center for British Art
Large black&white inlay:
[left]: John Martin: Detail from The Bard (ca. 1817)
[right, mirror view]: Henry Holiday: From Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark
John Martin: lower segment of The Bard, now in the Yale Center for British Art
Large black&white inlay:
[left]: John Martin: Detail from The Bard (ca. 1817)
[right, mirror view]: Henry Holiday: From Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark
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Color image:
John Martin: lower segment of The Bard, now in the Yale Center for British Art
Large black&white inlay:
[left]: Henry Holiday: From Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark
[right, mirror view]: John Martin: Detail from The Bard (ca. 1817)
Album:
John Martin
Also, this is a quite "English" thing. We are talking about The Hunting of the Snark! Strange, that the English leave the digging into this to a German :-)
Nylonbleu, you are French. You may be interested in how Holiday alluded to Gustave Doré.
Doré - Holiday
Doré - Holiday - Doré
Yes, In the image above, Doré "alluded" to Doré. (This is like "re-use" in software design, an absolutely legitimate process.) And Henry Holiday probably alluded to "both" of them ;-)
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