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A little Zoo in Charles Darwin's Study
Crossing the Line
The Banker's Nose and Spectacles
While he rattled a couple of bones
While he rattled a couple of bones
IT WAS A BOOJUM
Ditchley Snark
Hidden Carrol
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Two Bone Players
Ceci n'est pas une cloche
Eagle and Star
John Martin' s "The Bard" prepared for analysis
John Martin's Bard and Henry Holiday's Snark Illus…
Detail of tilework
Star and Tail
Darwin's Study and the Baker's Uncle
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Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Bandersnatch fled as the others appeared
The Paranoiac-Critical Method serves the Art of De…
Holiday and Gheeraerts I
Holiday - Millais - Anonymous - Galle
Holiday - Millais- Anonymous - Galle, detail
Doré (1863), Holiday (1876), Doré (1866)
The Hunting of the Snark
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William III, Religion and Liberty, Care and Hope
The color markers in both images show, to which pictorial elements in a 1674 print Henry Holiday alluded in his illustration to Lewis Carroll's The Hunting of the Snark (lower image, 1876) in the chapter The Hunting. The print (upper image by an anonymous artist, redrawn by me) is the orartie van de Professor L. Wolsogen over syndroom en de nytlegging van de felue gadaen .... The animals in that print are based on illustrations by M. Gheeraerts the Elder to Aesop's Fables. (The print now is located at British Museum, BM Satires 1047, reg.no.: 1868,0808.3286. A scan of the original print showing more details can be obtained from the museum.)
Holiday alluded to that 1674 image depicting William III as well as the allegorical figures for "religion" and "liberty". He discussed with Dodgson (Carroll) about the possible allegorical depiction of "care and hope". Interestingly, the two female members of the hunting crew also are quite similar to the allegories of "religion" and "liberty" shown in the 1674 print, the conflict between both probably being also conflict for the reverend Dodgson.
I made this image in the year 2010. The little inset with the yellow frame was my first presentation (2009-07-09) of the comparison.
Holiday alluded to that 1674 image depicting William III as well as the allegorical figures for "religion" and "liberty". He discussed with Dodgson (Carroll) about the possible allegorical depiction of "care and hope". Interestingly, the two female members of the hunting crew also are quite similar to the allegories of "religion" and "liberty" shown in the 1674 print, the conflict between both probably being also conflict for the reverend Dodgson.
I made this image in the year 2010. The little inset with the yellow frame was my first presentation (2009-07-09) of the comparison.
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Aber WAS diese Wesen angeblich sind - das trennt die Menschen -
Beispiele gibt es viele :
"Mit Gott für Volk und Vaterland"
"Tot den Ungläubigen"
Alle religiösen Schriften sind von irrtumsfähigen Menschen geschrieben -
Götz Kluge club has replied to Elbertinum clubHabe gelesen, dass Du ein katholischer Priester warst.
C. L .Dodgson (Künstlername: Lewis Carroll) war ein anglikanischer Diakon. Er hatte einige Teile (die ich nicht kenne und die ich auch nicht verstehen würde) der "39 Artikel" seiner Kirche nicht akzeptiert und konnte deswegen nicht zum Priester ordiniert werden. Eigentlich war eine Ordination damals auch für eine Universitätslaufbahn als Mathematiker notwendig. (Es klappte dann irgendwie trotzdem mit der Lehrtätigkeit).
Ich glaube, dass sich Dodgson in The Hunting of the Snark auch mit kirchlichen und religiösen Fragen und Konflikten auseinandersetzte. Henry Holiday hat das möglicherweise in seinen Illustrationen aufgegriffen.
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