Armando Taborda's photos

by Armando TABORDA, in "MANUAL DO DESPERDÍCIO", Ceres Editora, 1994 (photograph taken from Internet; edited by Armando TABORDA)

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We can watch the transformation of the matter into light and of the light into life but nobody can see the transformation of death into the obscure eternity of GOD. /// Nous pouvons observer la transformation de la matière en lumière et de la lumière en vie mais personne peut voir la transformation de la mort dans l'obscure éternité de DIEU. /// Podemos observar a transformação da matéria em luz e da luz em vida mas ninguém pode ver a transformação da morte na obscura eternidade de DEUS. by Armando TABORDA, in "PALAVRAS QUE AS MARÉS APAGAM", Edição Escola de Mar, 2014 (photograph: Pure ENERGY --- a computer-processed photograph of the tracks of sub-atomic particles produced in a proton-and-proton collision at a total energy of 900 GeV, recorded in the UA5 detector at CERN) (1st edition, 2009; 2nd edition, 2017)

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The fado and the guitar cry sorrow and longing poem without stanzas night without darkness day without sun life without love path without distance game without cards book without pages writing without words. /// Le fado et la guitare pleurent chagrin et nostalgie poème sans verses nuit sans obscurité jour sans soleil vie sans amour chemin sans distance jeu sans cartes libre sans pages écriture sans mots. /// O fado e a guitarra choram mágoa e saudade poema sem versos noite sem escuridão dia sem sol vida sem amor caminho sem distância jogo sem cartas livro sem páginas escrita sem palavras. by Maria da Nazaré ROCHA, 2017 (English and French translations by Armando TABORDA, 2017) [painting (copy) by José MALHOA (1855 - 1933), in a temporary exibition at the Museum of Portimão, 2012] (photograph 1st edition, 2012; 2nd edition, 2017)

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by Armando TABORDA, in "SonhoGrafias", Universitária Editora, 2000 (photograph taken from Internet; edted by Armando TABORDA)

by Armando TABORDA, in "SonhoGrafias", Universitária Editora, 2000 (press z to see in rhe lightbox)

www.ipernity.com/blog/armando.taborda/594815

Do you see, Simba? One day all this will be yours!

I do not know the stones I tread In the wild path But I know the direction I follow I do not know where the valley drives me In its troubled water But I know it is into the sea I do not know where the cry leads me In its brief resonance But I know it will echo in the mountains I don' know who I am I don't know how I got here But I know I will dwell this ground As the stars I tread. /// Não sei as pedras que piso Na vereda agreste Mas sei o rumo que sigo Não sei onde me leva o vale Nas suas águas bravas Mas sei que é para o mar Não sei aonde me leva o grito Na sua ressonância breve Mas sei que ecoará nas montanhas Não sei quem sou Não sei como cheguei aqui Mas sei que habitarei este chão Como as pedras que piso. by Fernando Reis LUÍS, in "NOS SOCALCOS DA SERRA", Arandis Editora, 2014 (English translated by Armando TABORDA, 2014) (1st edition, 2014; 2nd edition, 2017)

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by Max BECKMANN (1884-1950), German painter, craftman, printmaker, sculptor and writer, he was associated with the "New Objectivity", an outgrowth of Expressionism that opposed its introverted emotionalism