Pauline Viardot-Garcia by Disdéri (10)
Constance Nantier-Didiée by Caldesi (1)
Constance Nantier-Didiée by Caldesi (2)
Joakim Tartakov by Fr. de Mezer
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Leonid Sobinov by Wesenberg
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Wilhelm Hesch by Pietzner
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Francisco d'Andrade by Schaarwächter (4)
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Leonore Robinson by Bieber
Joseph Wolff by Bieber
Rosa Sucher by Schaarwächter (2)
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Marie Geistinger by Müller
Marie Geistinger by Adèle (1)
Marie Geistinger by Adèle (2)
Caroline Finaly by Unknown (1)
Caroline Finaly by Unknown (2)
Auguste Boudouresque by Petit (2)
Fidès Devriès by Reutlinger
Short note with autograph Jean-Baptiste Faure
Jean-Baptiste Faure by Reutlinger (3)
Jean-Baptiste Faure by Reutlinger (2)
Eugen Degele by Gottheil & Sohn
Franz Nachbaur by Bieber
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Pierre Gailhard by Stereoscopic
Gian Francesco Angelini by Disdéri
Elias Nathan by Petit & Trinquart
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Enrico Delle Sedie's autograph at the back
Pauline Viardot-Garcia by Disdéri (9)
Short note with autograph Célestine Galli-Marié
Célestine Galli-Marié by Nadar (1)
Célestine Galli-Marié's autograph at the back
Angiolina Bosio by Mayer & Pierson
Lodovico Graziani by Bernoud
Pauline Viardot-Garcia by Disdéri (8)
Rose Caron by Benque (1)
Marie Renard by Adèle (8)
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Rosine Bloch by Petit (1)
Rosine Bloch (1832-1891); French mezzo-soprano. She studied at the Conservatoire National de Paris with Levasseur and Battaille.She made her debut in 1865 as Azucena in Verdi’s “Il Trovatore” at the Grand Opéra Paris, where she remained until 1880. In 1873 she created the role of Claribel in "La coupe du Roi de Thulé" by Eugène Diaz. In 1880 she sang at the French première of Verdi’s “Aïda” the role of Amneris. She also sang the role of Dalila in the Paris première of Saint-Saëns’ “Samson et Dalila” (1890) on the occasion of the opening of the Théâtre Eden. She made guest appearances at Brussels, Monte Carlo and London (Covent Garden).
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