The Baker's uncle Yoda's relative is
Carroll on the Rocks
Nose is a Nose is a Nose
Burning the Baker
Thomas Cranmer's Boojum
Faiths Victorie in Romes Crueltie
Thomas Cranmer's Boojum (with inset)
Anthropomorphic Landscapes
The Vanishing & Thomas Cranmer's Burning
Surrounded by Monsters
h12 - Butcher and Beaver
h20 - BellmansMap
h11 - The Snark Hunting Party
h10 - The Landing
h60 - Snark Court
h80 - The Vanishing
h50 - Beavers Lesson
h30 - The Baker's Uncle
h70 - The Banker's Fate
Ear & Embryo
Schnarkverschlimmbesserung
Pig Band
Trial of a sow and pigs at Lavegny (1457)
Thomas Cranmer's Burning
The Expression of Emotions
Mary's and the Baker's Kerchiefs
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The Baker's 42 Boxes and Iconoclasm
[left]: Detail from Henry Holiday's depiction of the Baker's 42 boxes in an illustration (engraved by Joseph Swain) to Lewis Carroll's The Hunting of the Snark.
[right]: Anonymous: Detail from the painting Edward VI and the Pope, An Allegory of Reformation, mirrored view (16th century). Iconoclasm depicted in a window-like inset. Under the inset sits Thomas Cranmer (not visible in this detail) who wrote the 42 Articles in 1552. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567).
[right]: Anonymous: Detail from the painting Edward VI and the Pope, An Allegory of Reformation, mirrored view (16th century). Iconoclasm depicted in a window-like inset. Under the inset sits Thomas Cranmer (not visible in this detail) who wrote the 42 Articles in 1552. In The King's Bedpost: Reformation and Iconography in a Tudor Group Portrait (1994, p. 72), the late Margaret Aston compared the iconoclastic scene to prints depicting the destruction of the Tower of Babel (Philip Galle after Maarten van Heemskerck, 1567).
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