Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
Paradise Lost and the Beaver's Lesson
Ceci n'est pas une cloche
Dream Snarks
White Spot
Herbs & Horses
Again: What I tell you three times is true!
Two Bone Players
The Bankers Fate
So great was his fright that his waistcoat turned…
Two Noses
Carpenters Shop and Millais' Allusions
The Uncle over Darwin's Fireplace
The Monster in the Branches
Monster Nose
The Broker's and the Monk's Nose (with a little he…
Holiday - Millais - Anonymous - Galle; detail
Bellman & Bard
Bellman & Bard
Bellmen on the Rocks
IT WAS A BOOJUM (bw)
The Bellman and Sir Henry Lee (no marks)
Darwin's Fireplace and the Baker's Dear Uncle
Holiday - Millais- Anonymous - Galle, detail
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM
With yellow kid gloves and a ruff
The Bandersnatch fled as the others appeared
The Hunting Of The Snark
A Nose Job
The Hunting of the Snark
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Bellmen
Thumb & Lappet
Gnarly Monstrance
Bard and Bellman
Bonnet Head
Priest in the Mouth
Snark Hunt: Square One
Hidden Carrol
The Snark in your Dreams
Neuman, Butcher, Jowett
The Butcher and Benjamin Jowett
Tree of Life
A little Zoo in Charles Darwin's Study
Inspiration by Reinterpretation
Star and Tail
William III, Religion and Liberty, Care and Hope
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Broker's and the Monk's Nose
Millais, Anonymous, Galle
Weeds turned Horses (BW)
Weeds turned Horses
Weeds turned Horses (detail)
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Darwins snarked Study
Alfred Parsons' depiction of Charles Darwin's study in Downe. The wood cutter was J. Tynan.
I assume that Alfred Parsons quoted shapes from Henry Holiday's illustration (cut by Joseph Swain) to The Bakers Tale in Lewis Carroll's The Hunting of the Snark in a similar manner as Henry Holiday used shapes in the works of earlier artists perhaps in order to "point" to these works. The match of each single shape could be quite incidental, but the the spacial relation of most shapes to each other also matches well. That is less likely to be just incidental.
(Alfred Parsons' depiction of Charles Darwin's new study is used here with permission by Dr. John van Wyhe, darwin-online.org.uk/. Henry Holiday's illustration has been scanned from a book published in 1911.)
This is one of the images which I posted on Flickr a few years ago. It is an earlier version of the image below:
I assume that Alfred Parsons quoted shapes from Henry Holiday's illustration (cut by Joseph Swain) to The Bakers Tale in Lewis Carroll's The Hunting of the Snark in a similar manner as Henry Holiday used shapes in the works of earlier artists perhaps in order to "point" to these works. The match of each single shape could be quite incidental, but the the spacial relation of most shapes to each other also matches well. That is less likely to be just incidental.
(Alfred Parsons' depiction of Charles Darwin's new study is used here with permission by Dr. John van Wyhe, darwin-online.org.uk/. Henry Holiday's illustration has been scanned from a book published in 1911.)
This is one of the images which I posted on Flickr a few years ago. It is an earlier version of the image below:
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