Two Bone Players
The Bankers Fate
White Spot
Dream Snarks
Paradise Lost and the Beaver's Lesson
Holiday - Millais - Anonymous - Galle; detail
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
Two Noses
Carpenters Shop and Millais' Allusions
The Monster in the Branches
Monster Nose
The Broker's and the Monk's Nose (with a little he…
Bellman & Bard after retinex filtering
Bellman & Bard
Bellman & Bard
The Snark in your Dreams
The Boojum sitting on some of the 42 boxes
6 Sources to the Beaver's Lesson
42 Boxes meet the Iconoclasts
Gnarly Monstrance
Bard and Bellman
Hidden Carrol
"But if ever I meet with a Boojum, that day, I sha…
The Butcher and Benjamin Jowett
Ditchley Snark
IT WAS A BOOJUM
While he rattled a couple of bones
While he rattled a couple of bones
Crossing the Line
The Bellman and Father Time
Inspiration by Reinterpretation
The Bellman and Sir Henry Lee
Star and Tail
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
The Bandersnatch fled as the others appeared
Weeds turned Horses
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So great was his fright that his waistcoat turned white
513 · · He was black in the face, and they scarcely could trace
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image.
In this case the images are
[left]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book) and
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis.
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image.
In this case the images are
[left]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book) and
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis.
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