Asteroid Impact
Dragon fly & its wings
Jared Diamond
Lucy /Australopithecus africanus
Can you stop thinking
The Keeling curve of CO2
Krakatau ~ Krakatoa
Night flight
Light
Black on Black
Thinking
Future of PC
Right handed preference
Tin Man
Homo sapiens / Winners
"Buddham Sharanm Gachhami'"
Don't think of an elephant
Exhibit 51 ~ Reading
An evening by the Fault
Lost in action
Blondie and Reverse Engineering
Thus spake Anatole France
Shiitake Mushroom & Tofu soup
Moonlight feels right
Max Stirner
House
The priest-king of the Indus civilization
"Nothingness"
The Earliest 'Alphabetic' Inscriptions
A man....
Vardhamana / Bahubali
Sun n' shade
Bahubali / Vardhamana/Mahaveera
The eyes of dragons
Art Instinct
Mr. Allnut & Rose Sayer
Art
Black Swans
Colours
Colours ~ as Goethe writes about about them
Untruths of "Emotional reasoning"
Plants
Edge of the Universe
Fechner on a Summer day
THE DANCING PHILOSOPHER
Bedlam
Individualism
America the tolerant
Ms.Liberty
Frei wie ein Blatt im Wind
Figure 18.1
Humans are Strange creatures
Horses
Infinite Anxiety
E.O Wilson
Bread / Brot
Nowhere Man
Eppur si muove
Grass
You cannot step twice into the same river ~ Herac…
Thinking
Darwin
Tree of evolution
Darwin
Do we see ourselves as others see us?
Philosophical Anthropology
Clouds
Rose
A Tree
Trees
Cave Paintings
Berlin Wall 1999
Pattern
Belief
European Psychic
Kluge
Monarch
Recency Bias
Darwin's Mirror
Defending the territory
Forest Fire
Photograph of a leaf
Water
What we say to the dog
Forest Fire
Phenomenology
Marx
Louis XIV
Leo Tolstoy
Fodor Dostoevsky
Mikhail Lermontov
^ ^ ^
Each work of art is a thought
A person is a set of....
Meaning
Knowledge
Sensation
Shame
Gorbachev
My Mask
Written in stone
Fig. 10.11
Paper money
See also...
Keywords
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It is this imperative fusion which makes of ‘Les Mots” en.wikipedia.org/wiki/The_Words_(book) a master-piece. Proof that the existential realization of post-Heideggerian ontology and narrative fiction, as in ‘La Nausee,” en.wikipedia.org/wiki/Nausea_(novel) that partisan political argument, as in the successive volumes of the ‘Situations’ and theater, as in ‘No Exit,’ en.wikipedia.org/wiki/No_Exit arise from, are enacted by the identical defining instrumentality of words. That text is totality precisely in so far as it articulates the self, our being in the world and the adventures of meaning. In this perspective Sartre’s genius is classical. It is a direct beneficiary of the axiomatic conviction -- Pauline, Volatairean, Marxist -- that the act of writing embodies and alters the human status (Existentialism is a Humanism). Nothing informs Sartre’s thirst in the executive means of syntax. ~ Page 187
. . . . The principal philosophic tomes on “Being and Nothingness,” www.ipernity.com/doc/308605/43926758 on “dialectical reason,” on existential ethics exercised formidable influence and contain pages as dynamic, as abstractly “scenic” as any in Hegel. But they are receding into dusty reverence. Among the essay on art, that on Tintoretto in Venice, that on Giacometti retain thir psychological and sociological acumen, their intensities so characteristic of Sartre’s analytic and nervous involvement. The celebrated tract on “the Jewish question is almost certainly erroneous, yet has maintained something of its provocative urgency. There is, moreover, a wealth of autobiographical material whose introspective tension and calculated vulnerabilities rival the self-portrayals on Montaigne and Rousseau. ` Page 187
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