Ceci n'est pas une cloche
Paradise Lost and the Beaver's Lesson
Darwins snarked Study
Heads by Henry Holiday and Marcus Gheeraerts the E…
The removed "error" had a purpose
The Flaw was no Flaw
Mary's and the Baker's Kerchiefs
Schnarkverschlimmbesserung
Nose is a Nose is a Nose
IT WAS A BOOJUM (bw)
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM
The Bandersnatch fled as the others appeared
The Hunting Of The Snark
A Nose Job
The Hunting of the Snark
Dream Snarks
Carroll's Barrister's Dream
Two Noses
Holidays Boojum
J. J. Grandville's Monsters
Nosemorph
The Boojum sitting on some of the 42 boxes
Holiday and Gheeraerts I
Priest in the Mouth
Snark Hunt: Square One
The Snark in your Dreams
Neuman, Butcher, Jowett
The Butcher and Benjamin Jowett
Tree of Life
Inspiration by Reinterpretation
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
With yellow kid gloves and a ruff
An Expedition Team
Holiday and Gheeraerts I
The Billiard marker
The Uncle over Darwin's Fireplace
Monster Nose
The Broker's and the Monk's Nose (with a little he…
Holiday - Millais - Anonymous - Galle; detail
The Butcher & the young Raleigh (details)
Thomas Cranmer's Burning
Wood Shavings turned Pope (1st version)
Darwin's Fireplace and the Baker's Dear Uncle
Henry George Liddell in "The Hunting of the Snark"
Snarked: Henry George Liddell
Holiday - Millais- Anonymous - Galle, detail
6 Sources to the Beaver's Lesson
The Baker's 42 Boxes
Weeds turned Horses (2)
From Doré's Root to Holiday's Rat
42 Boxes meet the Iconoclasts
Thumb & Lappet
Bonnet Head
Billiard-Marker & Henry George Liddell
Hidden Carrol
A little Zoo in Charles Darwin's Study
Star and Tail
William III, Religion and Liberty, Care and Hope
Darwin's Study and the Baker's Uncle
Kerchiefs and other shapes
Holiday - Millais - Anonymous - Galle
From Doré's Root to Holiday's Rat
42 Boxes, Sheep, Iconoclasm
Thomas Cranmer's 42 Boxes
The Broker's and the Monk's Nose
Millais, Anonymous, Galle
Weeds turned Horses (BW)
Weeds turned Horses
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So great was his fright that his waistcoat turned white
513 · · He was black in the face, and they scarcely could trace
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image.
In this case the images are
[left]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book) and
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis.
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image.
In this case the images are
[left]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book) and
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis.
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