The Monster in the Branches
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Ceci n'est pas une cloche
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The Art of Deniability
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How to train a tiger
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Goodnight, Sweet Prince
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From Doré's Root to Holiday's Rat
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Monster Nose
Color image:
John Martin: lower segment of The Bard, now in the Yale Center for British Art
Large black&white inlay:
[left]: John Martin: Detail from The Bard (ca. 1817)
[right, mirror view]: Henry Holiday: From Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark
John Martin: lower segment of The Bard, now in the Yale Center for British Art
Large black&white inlay:
[left]: John Martin: Detail from The Bard (ca. 1817)
[right, mirror view]: Henry Holiday: From Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark
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Color image:
John Martin: lower segment of The Bard, now in the Yale Center for British Art
Large black&white inlay:
[left]: Henry Holiday: From Illustration (1876) to chapter The Beaver's Lesson in Lewis Carroll's The Hunting of the Snark
[right, mirror view]: John Martin: Detail from The Bard (ca. 1817)
Album:
John Martin
Also, this is a quite "English" thing. We are talking about The Hunting of the Snark! Strange, that the English leave the digging into this to a German :-)
Nylonbleu, you are French. You may be interested in how Holiday alluded to Gustave Doré.
Doré - Holiday
Doré - Holiday - Doré
Yes, In the image above, Doré "alluded" to Doré. (This is like "re-use" in software design, an absolutely legitimate process.) And Henry Holiday probably alluded to "both" of them ;-)
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