Sacred and Profane Love c.1514
Spider on the wall
These are good....
The Buddhas of Bamiyan in 1832
Charles Townley & his friends in the Part Street G…
Rita Hayworth
The Train passing. 1879
Wanderer Above the Sea of Fog. 1818
A Young Girl Reading. 1776
Johann Heinrich Wilhelm Tischbein Goethe
A London Slum, from Gustave Dore & William Blanch…
Napoleon on Northumberland
Fig. 16
Hanuman Temple
Plate 9
Welcome shoppers
Plate 12
Figure 42
Fig. 50
Fig.51
A bird
Lucrezia Panciatichi
Woman Pouring Milk
Wall art
Some day...
Jalapeno
Las Vegas
Canonita
Chevy
Lunch break
A reminder from Midas
The lady gondolier
Buddha in Las vegas
Voyage of Karluk
Oleograph
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The idea that melancholy is the fate of the studious was not in itself a novelty: the theme had already been dealt with, albeit in different ways, by Marsilo Ficino and Heinrich Cornelius Agrippa von Nettesheim. What was original was the commingling of ‘ars geomantica’ and ‘homo melancolicus,’ in which geometry acquires a soul and melancholy a full intellectual dimension: it is this double attribution that creates the melancholic Beauty that draws to itself, as in a vortex, previously traits such as the disquiet of soul typical of the Renaissance, and set itself up to a point of origin of the Baroque human type. ~ Page 228
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