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Posted: 29 Sep 2023

Taken: 29 Sep 2023

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HISTORY OF BEAUTY •
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A Young Girl Reading. 1776

A Young Girl Reading. 1776
Artist: Jean-Honore Fragonard

en.wikipedia.org/wiki/Jean-Honor%C3%A9_Fragonard

www.nga.gov/collection/highlights/fragonard-young-girl-reading.html
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 Dinesh
Dinesh club
Suffused with effortless grace, the model in Fragonard’s Young Girl Reading embodies the cultured lifestyle treasured by high society in pre-Revolutionary France. She is absorbed in a small book that she holds in her delicately curled right hand—pinky extended—reflecting the vogue for portable novels that flourished among the elite late in the century (such as Voltaire’s satirical Candide or Rousseau’s sentimental Julie ou la nouvelle Héloïse).

Young Girl Reading is visually delectable. The model, shown in profile, rests her left arm on a wooden rail and leans back against a plush, oversized cushion. Strong light from above softens the pink of her cheeks (one 19th-century critic compared them to the skin of a peach) and casts her shadow against the cushion and the wall. The fashionable lemon-yellow dress, accented with a white ruff and cuffs, stands out brilliantly against the unadorned interior. Lilac ribbons adorn the figure’s bodice, neck, and coiffed hair, echoing the cushion’s purplish tones.

Fragonard’s astounding brushwork is as much the subject of this painting as the young woman reading is. He has carefully delineated her face, but her dress, ribbons, and the cushion are loosely brushed in large, vigorous, unblended strokes. The artist’s brio is further conveyed by the summarily sketched book and the edging of the girl’s collar, the latter of which he executed—one imagines in a single, great flourish—with the handle of the brush. The vivid brushwork draws attention to Fragonard’s virtuosity, but it also suggests the mental transport experienced by the figure of the self-contained reader.

Young Girl Reading is linked to a series of Fragonard paintings known as portraits de fantaisie (imaginary portraits) that upended established conventions of portraiture and was the subject of a National Gallery of Art exhibition in 2017. Executed very quickly—purportedly in an hour—these compositions featured half-length single figures on canvases of very similar dimensions. Working feverishly, Fragonard used his models as a springboard for his artistic imagination. Unlike the portraits de fantaisie, however, Young Girl Reading functions less as a portrait concerned with accurately capturing the sitter’s likeness or character than as a genre painting (a scene of everyday life), which became immensely popular in 18th-century France.
8 months ago.

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