The View of the Sermitsialik Glacier
A Young Girl Reading. 1776
Chalk Cliffs at Rugen. 1818
The Last Kiss of Romeo & Juliet. 1833
Liberty Leading the People. 1830
Johann Heinrich Wilhelm Tischbein Goethe
A London Slum, from Gustave Dore & William Blanch…
Napoleon on Northumberland
Fig. 16
Hanuman Temple
Plate 1
Plate 9
Welcome shoppers
Plate 12
Figure 42
Fig. 50
Fig.51
Plate 10. Ad Reinhardt, “How to Look at Modern Ar…
Plate 11. A detail from Brad Paley's conceptual m…
Place 4. Haeckel's art
Fig. i
Notticelli: Adoration of Magi
Wanderer Above the Sea of Fog. 1818
Young Ladies on the Banks of the Seine. 1857
Dante Gabriel Rossetti, Laly Lilith, 1867
The Blond Bather 1882
Photo montage for an Olivetti Calendar 1934
The Train passing. 1879
Sacco (Sack)
Venus Restored, 1936
Illustration of The Beatles in Yellow Submarine, 1…
The Kiss. 1859
Rita Hayworth
The Steamer 'Berenice'
The Swing. 1767
Charles Townley & his friends in the Part Street G…
The Bimaran Casket
An attendant of the Buddha, from Hadda
Medallion of a young man from Bagram
The Wonder of Bamiyan: One of Masson's sketches
Lady Hemilton
Moon rising over the sea, 1822
The Countess Houssonville, 1845
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The work was first exhibited at the Prague Academy exhibition in 1824 with the title An Idealized Scene of an Arctic Sea, with a Wrecked Ship on the Heaped Masses of Ice.[2] Considered one of Friedrich's masterpieces, the radical composition and subject matter were unusual for their time and the work was met with incomprehension. The painting was still unsold when Friedrich died in 1840.[2] It is currently held by the Kunsthalle Hamburg, Germany. ~ Wikipedia
... . . . Friedrich's moody landscapes, which often thrust the viewer into the wilds of nature, created an emotional connection with the viewer rather than a more literal interaction with the scene. This integration of spiritual significance with landscape painting made him a popular success.~ Source WWW
The Sea of Ice corresponds to Friedrich's withdrawal from society and state of mind after his art became neglected. Many art historians have speculated on the painting's meaning: its implications of human vulnerability, death, and potential redemption through faith. ~ Source WWW
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