ARTIC SHIPRECK. 1823
The View of the Sermitsialik Glacier
A Young Girl Reading. 1776
Chalk Cliffs at Rugen. 1818
The Last Kiss of Romeo & Juliet. 1833
Liberty Leading the People. 1830
Johann Heinrich Wilhelm Tischbein Goethe
A London Slum, from Gustave Dore & William Blanch…
Napoleon on Northumberland
Fig. 16
Hanuman Temple
Plate 1
Plate 9
Welcome shoppers
Plate 12
Figure 42
Fig. 50
Fig.51
Plate 10. Ad Reinhardt, “How to Look at Modern Ar…
Plate 11. A detail from Brad Paley's conceptual m…
Place 4. Haeckel's art
Fig. i
Young Ladies on the Banks of the Seine. 1857
Dante Gabriel Rossetti, Laly Lilith, 1867
The Blond Bather 1882
Photo montage for an Olivetti Calendar 1934
The Train passing. 1879
Sacco (Sack)
Venus Restored, 1936
Illustration of The Beatles in Yellow Submarine, 1…
The Kiss. 1859
Rita Hayworth
The Steamer 'Berenice'
The Swing. 1767
Charles Townley & his friends in the Part Street G…
The Bimaran Casket
An attendant of the Buddha, from Hadda
Medallion of a young man from Bagram
The Wonder of Bamiyan: One of Masson's sketches
Lady Hemilton
Moon rising over the sea, 1822
The Countess Houssonville, 1845
Reading Woman Crowned with Flowers, 1845
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Even before the end of the seventeenth century, in his ‘Telluris theoria sacra’ Thomas Burnet saw in the experience of the mountains something that uplifted the soul toward God, calling up a hint of infinity and capable of arousing great thoughts and passions. In the eighteenth century, in his ‘Moral Essays,’ Earl of Shaftesbury said that even the rugged crags, the wilderness, stuck him as all the more fascinating for they represented nature in a more genuine manner and were enveloped in magnificence far superior to what he described as the “ridiculous counterfeits” of princely gardens. ~ Page 282
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