Visiting card Hermine (Erminia) Rudersdorff; music…
Hermine (Erminia) Rudersdorff by King
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Marie van Zandt by Benque (2)
Elisabeth Frandin by Rossi
Short note with autograph Theodor Wachtel
Theodor Wachtel by Julius Giere (2)
Emil Scaria by Luckhardt
Anna Grobecker by Graf
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Anna Grobecker by Löwy
Josefine Gallmeyer's autograph at the back
Josefine Gallmeyer by Herberth
Josefine Gallmeyer by Märkl
Anna Kratz by Schrank & Massak
Anna Kratz by Krziwanek
Anna Kratz by Mahlknecht
Hermann Winkelmann by Bieber
Heinrich Vogl by Bieber
Theodor Reichmann by Bieber
Zaré Thalberg's autograph at the back
Zaré Thalberg by Elliott & Fry
Zaré Thalberg by Stereoscopic (1)
Adrienne Darly by Luckhardt
Emilia Tagliana by Székely
Emilia Tagliana's autograph at the back
Emilia Tagliana by Adèle (3)
Emilia Tagliana by Adèle (2)
Emilia Tagliana by Adèle (1)
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Christine Nilsson by Gurney (1)
Autographed note from Christine Nilsson to Delphin…
Enrico Tamberlick by Petit
L'ut dièse de Tamberlick and autograph
Enrico Tamberlick by Mayer & Pierson (3)
Speranza Engally by Reutlinger (2)
Joséphine Daram by Petit (2)
Francesco Tamagno by Nadar
Pauline and Louis Gueymard give their concert prog…
Pauline and Louis Gueymard give their concert prog…
Pauline Lauters-Gueymard by Disdéri (4)
Mariano Padilla y Ramos by Pierson
Desirée Artôt announces her marriage with Mariano…
Desirée Artôt announces her marriage with Mariano…
Albert Niemann by Reichard & Lindner
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Adelaide Phillipps by Sarony
Adelaide Phillips (1833-1882); English contralto.
At the age of seven she emigrated with her family; first to Canada and then to the USA (Boston). At the age of nine she already performed children’s roles and during the years 1843/51 she performed minor roles at the Museum Theatre in Boston. In 1850 she was introduced to the famous singer Jenny Lind, who advised her a singing study. She became the pupil of Manuel Garcia Jr and W.C. Masters in London. She continued her studies in Italy and in 1853 she made her debut at the Teatro Grande in Brescia as Arsace in Rossini's "Semiramide". In 1854 she made guest appearances in Milan at the Teatro Carcano as Rosina in "Il barbiere di Siviglia". In Europe she used the stage name of Signora Filippi. In 1854 she returned to Boston, where she gave concerts and performed in so called English Ballad-Operas. In 1854 she also made her New York debut and in 1856 she sang at the "Academy of Music" the role of Azucena in Verdi's "Il Trovatore". In the following five seasons she was very successful at the Academy. After a guest appearance in Havana, she went to Paris in 1861 and appeared there at the Théâtre-Italien as Azucena. In Europe she made further guest appearances in Spain (Madrid and Barcelona), The Netherlands and Hungary. In 1871 she joined the Carl Rosa Opera Company. In 1874 she founded her own opera company and in 1876 she undertook a tour through the United States. In 1879 she came back to Boston and sang there for two years with the "Ideal Opera company". Her last stage performance was in 1881 in Cincinnati. She died during a cure stay in Karlsbad (Karlovy Vary), but found her final resting place in Marshfield (Massachusetts).
Her sister Mathilde Phillipps (1853-1915) was a mezzo-soprano, who in 1874 made her debut in the title role of Rossini's "La Cenerentola" at the "Adelaide Phillipps Opera Company".
At the age of seven she emigrated with her family; first to Canada and then to the USA (Boston). At the age of nine she already performed children’s roles and during the years 1843/51 she performed minor roles at the Museum Theatre in Boston. In 1850 she was introduced to the famous singer Jenny Lind, who advised her a singing study. She became the pupil of Manuel Garcia Jr and W.C. Masters in London. She continued her studies in Italy and in 1853 she made her debut at the Teatro Grande in Brescia as Arsace in Rossini's "Semiramide". In 1854 she made guest appearances in Milan at the Teatro Carcano as Rosina in "Il barbiere di Siviglia". In Europe she used the stage name of Signora Filippi. In 1854 she returned to Boston, where she gave concerts and performed in so called English Ballad-Operas. In 1854 she also made her New York debut and in 1856 she sang at the "Academy of Music" the role of Azucena in Verdi's "Il Trovatore". In the following five seasons she was very successful at the Academy. After a guest appearance in Havana, she went to Paris in 1861 and appeared there at the Théâtre-Italien as Azucena. In Europe she made further guest appearances in Spain (Madrid and Barcelona), The Netherlands and Hungary. In 1871 she joined the Carl Rosa Opera Company. In 1874 she founded her own opera company and in 1876 she undertook a tour through the United States. In 1879 she came back to Boston and sang there for two years with the "Ideal Opera company". Her last stage performance was in 1881 in Cincinnati. She died during a cure stay in Karlsbad (Karlovy Vary), but found her final resting place in Marshfield (Massachusetts).
Her sister Mathilde Phillipps (1853-1915) was a mezzo-soprano, who in 1874 made her debut in the title role of Rossini's "La Cenerentola" at the "Adelaide Phillipps Opera Company".
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