Enrico Tamberlick by Mayer & Pierson (3)
L'ut dièse de Tamberlick and autograph
Enrico Tamberlick by Petit
Autographed note from Christine Nilsson to Delphin…
Christine Nilsson by Gurney (1)
Christine Nilsson by Gurney (2)
Emilia Tagliana by Adèle (1)
Emilia Tagliana by Adèle (2)
Emilia Tagliana by Adèle (3)
Emilia Tagliana's autograph at the back
Emilia Tagliana by Székely
Adrienne Darly by Luckhardt
Adelaide Phillipps by Sarony
Visiting card Hermine (Erminia) Rudersdorff; music…
Hermine (Erminia) Rudersdorff by King
Mélanie-Charlotte Reboux by Liébert
Marie van Zandt by Benque (2)
Elisabeth Frandin by Rossi
Short note with autograph Theodor Wachtel
Theodor Wachtel by Julius Giere (2)
Emil Scaria by Luckhardt
Anna Grobecker by Graf
Anna Grobecker by Rabending
Joséphine Daram by Petit (2)
Francesco Tamagno by Nadar
Pauline and Louis Gueymard give their concert prog…
Pauline and Louis Gueymard give their concert prog…
Pauline Lauters-Gueymard by Disdéri (4)
Mariano Padilla y Ramos by Pierson
Desirée Artôt announces her marriage with Mariano…
Desirée Artôt announces her marriage with Mariano…
Albert Niemann by Reichard & Lindner
Henri Sellier by Benque with autograph
Heinrich Vogl by Pierson
Short note with autograph Gabrielle Krauss (1)
Short note with autograph Gabrielle Krauss (2)
Short note with autograph Gabrielle Krauss (3)
Gabrielle Krauss by Benque
Jean Lassalle by Benque
Joakim Tartakov by Mariinsky Theatre
Fidès Devriès by Benque
Fidès Devriès studying the role of Chimène in Le C…
Fidès Devriès studying the role of Chimène in Le C…
Fyodor Komissartschevsky by Bergamasco (2)
Fyodor Komissartschevsky by Bergamasco (1)
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Speranza Engally by Reutlinger (2)
Speranza Engally, born Nadejda Engallytschew (1850- ?); Russian mezzo-soprano.
Singer who had her career mainly in Paris with short engagements at the Théâtre-Italien, Théâtre-Lyrique, Opéra-Comique (debut 1878) and the Grand Opéra (debut 1882 as Amneris in “Aïda”). In 1876 she created the role of Méala in Massé's "Paul et Virginie" and in 1880 the role of Simone in the opera "Jean de Nivelle" by Delibes.
She had her greatest success in 1876 at the Théâtre de la Gaîté as Marpha in the opera “Dimitri” by composer Victorien de Joncières.
Singer who had her career mainly in Paris with short engagements at the Théâtre-Italien, Théâtre-Lyrique, Opéra-Comique (debut 1878) and the Grand Opéra (debut 1882 as Amneris in “Aïda”). In 1876 she created the role of Méala in Massé's "Paul et Virginie" and in 1880 the role of Simone in the opera "Jean de Nivelle" by Delibes.
She had her greatest success in 1876 at the Théâtre de la Gaîté as Marpha in the opera “Dimitri” by composer Victorien de Joncières.
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