Pauline Lauters-Gueymard by Disdéri (4)
Pauline and Louis Gueymard give their concert prog…
Pauline and Louis Gueymard give their concert prog…
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L'ut dièse de Tamberlick and autograph
Enrico Tamberlick by Petit
Autographed note from Christine Nilsson to Delphin…
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Christine Nilsson by Gurney (2)
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Emilia Tagliana by Adèle (2)
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Emilia Tagliana's autograph at the back
Emilia Tagliana by Székely
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Visiting card Hermine (Erminia) Rudersdorff; music…
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Desirée Artôt announces her marriage with Mariano…
Desirée Artôt announces her marriage with Mariano…
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Henri Sellier by Benque with autograph
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Short note with autograph Gabrielle Krauss (1)
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Short note with autograph Gabrielle Krauss (3)
Gabrielle Krauss by Benque
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Joakim Tartakov by Mariinsky Theatre
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Fidès Devriès studying the role of Chimène in Le C…
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Fyodor Komissartschevsky by Bergamasco (1)
Gustave Roger by Levinthal (2)
Gustave Roger by Levinthal (1)
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Mariano Padilla y Ramos by Pierson
Mariano Padilla y Ramos (1842-1906); Spanish baritone.
He studied singing at Florence with Mabellini and Ronconi. He performed at the major theatres in Italy, Spain and throughout Europe. In 1869 he married opera singer Désirée Artôt. Together with his wife he undertook extensive and very successful tours of guest appearances in Germany, Austria, Italy, Hungary, Poland, Sweden, Belgium, the Netherlands, Denmark, Russia, and Finland. In 1887 in Prague he appeared in the festive centenary performance of Mozart's "Don Giovanni"; the title role was considered his greatest creation. After leaving the stage in 1889 he was -like his wife- a much sought-after singing teacher.
He studied singing at Florence with Mabellini and Ronconi. He performed at the major theatres in Italy, Spain and throughout Europe. In 1869 he married opera singer Désirée Artôt. Together with his wife he undertook extensive and very successful tours of guest appearances in Germany, Austria, Italy, Hungary, Poland, Sweden, Belgium, the Netherlands, Denmark, Russia, and Finland. In 1887 in Prague he appeared in the festive centenary performance of Mozart's "Don Giovanni"; the title role was considered his greatest creation. After leaving the stage in 1889 he was -like his wife- a much sought-after singing teacher.
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