Other's Images / Imagens de Outros

photographed by Fernanda Moutinho; edited by Armando Taborda ...................................................................................................................... from left to right: Rafaela, Susana, Patrícia ........................................................................... I love women I think they're great They are a solace to a world in a terrible state They're a blessing to the eyes A balm to the soul What a nightmare to have no women in the world I used to look at women in the magazines I know that it was sexist but I was in my teens I was very bitter, all my sex was in the sly I couldn't keep my hands off women And I won't till I die A woman's love can lift you up and women can inspire I feel like buying flowers and hiring a celestial choir A choir of castratis to serenate my love They'd sing a little Back for us and then we'd make love I love women We all love women WE LOVE WOMEN by Lou REED, in "PASS THRU FIRE", The Collected Lyrics, The Blue Mask (photo 1st edition, 2010; 2nd edition, 2016)

photographed by Fernanda Moutinho

photographed by Fernanda Moutinho

Maria da Nazré parents photographed by Fernanda Moutinho

photographed by Fernanda Moutinho; edited by Armando Taborda from left: Rafaela, great-granddaughter; Maria da Nazaré, daugther; Fernanda, friend; Susana, granddaughter; Patrícia, friend; Cristina, granddaughter; Orlanda, great-grandmother

frogman worker photographed by Filomena Sá Pinto (mena) http://mena-sombrasnomar.blogspot.com

photographed by Filomena Sá Pinto (mena) http://mena-sombrasnomar.blogspot.com ............................................................................. They say ev'rything can be replaced Yet ev'ry distance is not near So I remember ev'ry face Of ev'ry man who put me here I see my light come shinning From the west unto the east Any day now, any day now I shall be released They say ev'ry man needs protection They say ev'ry man must fall Yet I swear I see my reflection Some place so high above this wall I see my light come shinning From the west unto the east Any day now, any day now I shall be released Standing next to me in this lonely crowd Is a man who swears he's not to blame All day long I hear him shout so loud Crying out that he was framed I see my light come shinning From the west unto the east Any day now, any day now I shall be released by BOB DYLAN, in Lyrics 1962-2001 (photo 1st edition, 2010; 2nd edition, 2016)

photographed by Cristina Brito

photographed by Maria da Nazaré

photography taken from Internet https://www.ipernity.com/blog/armando.taborda/269798

In the afternoon lock waters come up leading towards night's mystery. In the morning lock waters come down re-leading to the starting point. /// Dans l´écluse de l'après-midi montent les eaux qui conduisent au mystère de la nuit. Dans l'écluse du matin eaux descendues reconduisent au point de départ. /// Na eclusa da tarde sobem as águas que conduzem ao mistério da noite. Na eclusa da manhã descem as águas que reconduzem ao ponto de partida. by Armando TABORDA, in "PALAVRAS QUE AS MARÉS APAGAM", Edição Escola de Mar, 2014 (photo taken from Internet; edited by Amando TABORDA) (1st edition, 2010; 2nd edition, 2017)

photo taken from Internet; edited by Armando Taborda ................................................................................................ "To me, now, to do something new is not to develop a form for the novel that has never been seen on earth before. It means to try to come to terms as a person and a citizen with what's happening in the world now and to do it in some comprehensible, coherent way." # "The place of stillness that you have to go to to write, but also to read seriously, is the point where you can actually make responsible decisions, where you can actually engage productively with an otherwise scary and unmanageable world." quotations from a recent Jonathan Franzen's interview

photography taken from Internet; edited by Armando Taborda ............................................................................................................ "It seemed to me, that if we were going to be elevating freedom to the defining principle of what we're about as a culture and a nation, we ought to take a careful look at what freedom in practice brings." # "One of the ways of surrendering freedom is to actually have convictions. And a way of further surrendering freedom is to spend quite a bit of time acting on those convictions." quotations from a recent Jonathan Franzen's interview

GOD + LOVE + DEATH photography taken from Internet; edited by Armando Taborda https://www.ipernity.com/blog/armando.taborda/277874

photography taken from Internet; edited by Armando Taborda ............................................................................................................ in Sistina Chapel, by Michelangelo https://www.ipernity.com/blog/armando.taborda/279046

taken with an iPhone camera, BlackBerry 9000, by Herbert Maia; edited by Armando Taborda

photographed by Abílio Lagartinho; edited by Armando Taborda ................................................................................................................. from left: sister of my late wife, Susana; my sister, Maria Helena; my granddaughter, Rafaela; my wife, Maria da Nazaré

photography taken from Internet; edited by Armando Taborda