Window by Carl Otto Czeschka
Glasmalerwerkstatt Kuball Hamburg
COC Jugendstil Fensterdetail
Sans-Serif
Sans-Serif
Jugendstilfenster von 1913 in Hamburg
Urlaub und ipernity
nicht kariös
diese Sphinx vom Palais H. C. Schimmelmann
Geländer der jetzt geschlossenen öffentlichen Bedü…
am Schloss Wotersen
Adeligen Gut Wotersen
Wachholder
Holzscheite natürlich dekoriert
wettergegerbt
ein phantastisches Holzstück
Wanderwoche in Grainau
Leaf in the morning sun
in der Höllentalklamm
in der Höllentalklamm
Herbst unter der Zugspitze
in der Marienkapelle
Aussichtsplattform AlpspiX
Czeschka ein Künstler aus den "Wiener Werkstätten"
ein Bein mit 15 & Rundem drumrum
Ihr glaslarer Busen ist kreisrund geformt
Die Schönheit als Botschaft
über der Tür der Pförtnerloge
Kunst am Bau
Eingangsbereich der heutigen Hochschule für bilden…
die Innerste-Talsperre
am Schlossberg in Quedlinburg
ein...
am Fachwerkhaus
Ständerbau
@ :-)
Quedlinburg
Pfarrkirche St. Blasii
Deckenstuckatur in der ehem. Pfarrkirche St. Blasi…
Palais Salfeldt
die besondere Liegenschaft
Hirtenjunge
am Schlossberg in Quedlinburg
Semsakrebsler
Wartburg 311
Location
See also...
Keywords
a wild man
The lead leg of the window varies greatly: in the figural area, the outer contours of the figures three times as wide as the less common meaning lines.
Works under direct sunlight in the glass reflections and various prismatic effects of light refraction.
The glasses used in the ornaments are processed up to 6 cm thick and round these were manufactured in several steps. Using a 1:1 template is mapped to a carton, the contour of each piece of pre-crushed glass. Then moves to a grinding Bank of the workpiece against a rotating disk covered with oil and Mixture with quartz sand is. After this formative roughing finishing is the fine adjustment of the glass surface with felt and polishing cream.
Works under direct sunlight in the glass reflections and various prismatic effects of light refraction.
The glasses used in the ornaments are processed up to 6 cm thick and round these were manufactured in several steps. Using a 1:1 template is mapped to a carton, the contour of each piece of pre-crushed glass. Then moves to a grinding Bank of the workpiece against a rotating disk covered with oil and Mixture with quartz sand is. After this formative roughing finishing is the fine adjustment of the glass surface with felt and polishing cream.
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