Locksbrook No.15
Locksbrook No.17
Locksbrook No.12
Sundial
Teardrops
Wheelbarrow
Crossword Puzzle
Locksbrook No.8
Autumn is Orange
Locksbrook No.11 (B&W Edit)
Fallen Apples Under an Iron Bench
Locksbrook No.24
G. Horton Ltd
The Fleece, Cirencester
Church of St. John the Baptist, Cirencester
Remembrance
Remembrance Sunday (9)
Remembrance Sunday (8)
Remembrance Sunday (7)
Remembrance Sunday (6)
Remembrance Sunday (5)
Remembrance Sunday (4)
Remembrance Sunday (3)
Remembrance Sunday (2)
Remembrance Sunday (1)
A Red Intruder
Locksbrook No.3
A Conversion
Damp Yellow Leaf
Locksbrook No.21
Locksbrook No.10
My World Is Blue
The Courts Garden Temple
Autumn in Holt
15th of July
Locksbrook No.7
Dilapidated Bicycle Saddle
Italy - Proraso Shaving Cream
Italy - Lavazza Coffee
Family Album
What To Look For In Winter
Shortcut
Railings in the Mist
Play Misty
Bridge Under A Bridge
Girl in the Oudolf Field
The Ground
The Radić Pavilion Is Closed
Vantage Point
La Gioconda Avec L'appareil Photo
Columns
The Distance
Shaving for Professionals
Summertime
News
Ephemera
They Have Landed
The Grass
Places - Trowbridge
Places - Bath
Places - Leamington
Places - Castle Cary
Riders
Locksbrook No.4
Locksbrook No.5
Locksbrook No.20
Locksbrook No.6
Locksbrook No.13
Locksbrook No.1
Locksbrook No.14a
Locksbrook No.23
Transport Option
Ingram Is No More
Here It Comes Again
Fabric Shop
Is There Anybody Going To Listen To My Story?
Underwood Reflection
Brick Wall, St. Mary the Virgin
Holiday in Weymouth
Kennet and Avon Canal in Sydney Gardens
'A Costly Cafe in a Ceramic Carbuncle'
Blind Man's Buff
Osmington White Horse
A Neat House
Cleveland House
Bridges
Windlass Girl-2
Church Porch Gates
Dead Drunk
Pickled Greens
Welcome to Weymouth
Untitled
Pulteney Weir
Railway Points on a Wet Day
The Train Approaching Cranmore West
Safety Barriers
Selfie
Happy Man
Telephoto
Curve
Blanket on a Washing Line
Operating a Lock on a Canal
The Lady of Weymouth: A Manifesto Prompted by John…
Minerva's Temple and the Beginning of the End of t…
Bath/2019/Street/B&W
Welcome to Weymouth, a Resort in Need of a Statue
Uwin Again
Girl with a Nikon
Without A Face
Through a Window in a Rainstorm
Domke Dog Clip
An Old 85mm Lens
Bedroom Chair
Uwin Sports Wear
Henrietta Mews
Masts
158961 in Sydney Gardens
Woman Walking in a Park
The Crowd
Morning Break
Banana
Emergency Banana
Lily Trotter
The Look (She's Got The Look)
MLA Bags
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Locksbrook No.2
Near the secondary (Combe Park) entrance. The new arrangement of broken kerbs makes this grave appear a bit Greek in character. It is entirely in keeping with the general extravagance and flamboyance of this cemetery.
Nikon D40 and AF-S DX Nikkor 18-200mm f/3.5-5.6G ED VRII lens. Focal length 20mm (full frame equivalent 30mm). 400 ISO; f/5; 1/40th.
Whilst lacking the clarity of a prime lens, the 18-200mm Nikkor performs strongly and is a pleasure to use. Distortion can be noticeable but is easily corrected when processing. The Vibration Reduction system is spectacular - low shutter speeds hold no fear when using this lens.
The Nikon D40, manufactured between 2006 and 2009 and long superseded by several new models, is a joy to use and particularly to carry. It weighs practically nothing. With fewer than 600 shutter actuations, it cost me less than £60 earlier this year. It lacks the latest bells and whistles but does the main job of making images very competently. I set it to under-expose a little; it seems to produce better results that way.
Nikon D40 and AF-S DX Nikkor 18-200mm f/3.5-5.6G ED VRII lens. Focal length 20mm (full frame equivalent 30mm). 400 ISO; f/5; 1/40th.
Whilst lacking the clarity of a prime lens, the 18-200mm Nikkor performs strongly and is a pleasure to use. Distortion can be noticeable but is easily corrected when processing. The Vibration Reduction system is spectacular - low shutter speeds hold no fear when using this lens.
The Nikon D40, manufactured between 2006 and 2009 and long superseded by several new models, is a joy to use and particularly to carry. It weighs practically nothing. With fewer than 600 shutter actuations, it cost me less than £60 earlier this year. It lacks the latest bells and whistles but does the main job of making images very competently. I set it to under-expose a little; it seems to produce better results that way.
Steve Bucknell, Jean-luc Drouin have particularly liked this photo
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