From a Distance
Macarthur Park
Two Blondes
The Red Lion, Lacock.
The Angel, Lacock.
Twilight at Lacock.
The Talbot Inn.
Market Place, Salisbury
Leading to St Thomas' Square, Salisbury
Salisbury Cathedral
Another aspect of Salisbury Cathedral
Fonthill Bishop, Wiltshire
Place Farmhouse.
Lacock, Wiltshire
Five Girls Go Neolithic
Barn Owl
The Freshford Girl
Corsham A-Boards
Nestle, As Was
Horningsham, Wiltshire
Abbey House Gardens, Wiltshire
Rood Ashton House, West Ashton, Wiltshire (unroofe…
King Alfred's Tower
King Alfred's Tower
HFF - Up up and away!!
HFF! ~ Horningsham
Longleat House.
Geese!
A goose!
Mill Farm, Horningsham.
No. 9 Dream
The last of the bluebells.
Entering the lock!
Billingham 550 Khaki-Tan at Lacock Abbey No.2
Main Street
Felled Tree, Limpley Stoke
Church Brass, Teffont St. Evias
Horningsham, Wiltshire
Castle Combe, Wiltshire.
Avebury Stone Circle
Lychgate ~ Avebury
Autumn Kaleidoscope
Middle of the Road
The Pantheon & Bristol Cross
The Stable Yard - Stourhead House.
Gatehouse, Stourhead.
Stourton Cottages
Walled garden at Stourhead.
The Courts Garden, Holt
View East from Lacock Abbey
Wilton Windmill
Raindrops Clinging to Estate Fencing
Light & Shadow
Stained Glass
Hold your horses
Poultry Cross
Teasels at Reybridge
You shall have no other gods before me
Fog in the Hilperton Gap
Wiltshire in Layers
Two Women I Met in Steeple Ashton
Disappearing Freight
Clouds and Hang Gliders
Hassocks and Cassocks
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Lacock Abbey in December
Billingham 550 Khaki-Tan camera bag as foreground interest.
The Billingham 550 camera bag was introduced in 1983 as a reworking of the 1979 System 1 bag, the first soft camera bag manufactured in Britain. It has remained in continuous production. It is a bag much favoured by professional photographers.
The bag is made of canvas and leather, and internally there is nylon covered padding. It is spacious enough to hold at least two camera bodies with a full load of lenses and other accessories. Doing that would, of course, be a mistake. You would end up with an over-stuffed bag which was too heavy to carry and too full to find what you wanted. The bag alone weighs over two and a half kilos. It’s a specialised, well-made and stylish piece of luggage. You can attach additional pockets at either end. I prefer to leave my pair at home. They make the bag look too long.
One reason professional photographers like it is its internal height of 10 inches which allows tall lenses and hammerhead flashguns to be stowed upright. Another reason might be the fairly slim profile compared, for example, to a box-like Billingham 555, or indeed any of the Billingham five series which tend to hang from the shoulder four-square like wooden cabinets (and they’ll always do this if they’re filled to capacity). Many camera bags are built square and get in everybody’s way. The 550 will get in everybody’s way anyhow, despite not being square. It’s just generally big.
Access is a bit awkward but in my experience that is a general criticism of Billingham bags and a concomitant of high standards of gear-protection. To carry it by hand you have to do up the straps which secure the cover to the bag, which is a nuisance. The only other criticism is the price. Mine is second-hand, with plenty of wear left in it, yet it cost more than many new bags. If you want a real fright, look up the cost of a new one. Don’t confuse it with the 555. Google ‘Billingham 550’. Be sure you’re sitting down when you do this.
The photograph was made using some quite cheap second-hand kit: an AF Zoom-Nikkor 28-80mm f/3.3-5.6G lens on a Nikon D50.
The Billingham 550 camera bag was introduced in 1983 as a reworking of the 1979 System 1 bag, the first soft camera bag manufactured in Britain. It has remained in continuous production. It is a bag much favoured by professional photographers.
The bag is made of canvas and leather, and internally there is nylon covered padding. It is spacious enough to hold at least two camera bodies with a full load of lenses and other accessories. Doing that would, of course, be a mistake. You would end up with an over-stuffed bag which was too heavy to carry and too full to find what you wanted. The bag alone weighs over two and a half kilos. It’s a specialised, well-made and stylish piece of luggage. You can attach additional pockets at either end. I prefer to leave my pair at home. They make the bag look too long.
One reason professional photographers like it is its internal height of 10 inches which allows tall lenses and hammerhead flashguns to be stowed upright. Another reason might be the fairly slim profile compared, for example, to a box-like Billingham 555, or indeed any of the Billingham five series which tend to hang from the shoulder four-square like wooden cabinets (and they’ll always do this if they’re filled to capacity). Many camera bags are built square and get in everybody’s way. The 550 will get in everybody’s way anyhow, despite not being square. It’s just generally big.
Access is a bit awkward but in my experience that is a general criticism of Billingham bags and a concomitant of high standards of gear-protection. To carry it by hand you have to do up the straps which secure the cover to the bag, which is a nuisance. The only other criticism is the price. Mine is second-hand, with plenty of wear left in it, yet it cost more than many new bags. If you want a real fright, look up the cost of a new one. Don’t confuse it with the 555. Google ‘Billingham 550’. Be sure you’re sitting down when you do this.
The photograph was made using some quite cheap second-hand kit: an AF Zoom-Nikkor 28-80mm f/3.3-5.6G lens on a Nikon D50.
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