Leaving it all behind
2014
Once upon a time
On a clear day you can see tomorrow!
Holly, wood, and vine.
West Art
palm doodle
Down by the riverside
Linda
Purple OshKosh
Downtown
View from Seamount Castle
Sakura high
Obasan sketchers
In the neighborhood
downtown
Midori
Is it time yet?
2014-06-01 L´eau-de-vie web
Time
another day
2014-06-15 Couronne-blanc web
Painted in the rain
2014-06-09 L´universe-en-miniatur web
Autumn Riot
2014-06-17 Cap-Corse web
2014-06-21 Firenze-Ponte-Vecchio web
The Lovers
2014-06-22 Italia Portovenere-Strassencafé web
The last Holdouts
1999-07-24 Fe-derriere-le-raseau
1990-03-18 cote-atlantique web
To protect or reject?
Warped
Om mani padme hum
.....and now for a quick look at the chaotic world…
The things that happen when no one is there to see
The Striker!
Caught!
Lasting memories
Tuscan Dawn
Skyborn
Mundane Mystery
The Beast in the Garden
Second Sight
Serene
Autumn Abstract
Inverted garden
musings
fireweed
Along the Tanana
Trust me!!!
凧 Tako, kites
Double Check
Stately Fulton Manor
Balboa Navel Hospital
SF Polo Fields
Quarter Horse
Birthday Express
Slight flights
watercolor
two thirds
watercolor
Autumn Trees
Rhyolite, Nevada
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Jetsam
So! Jetsam: Part of a ship, its equipment, or its cargo that is purposefully cast overboard or jettisoned to lighten the load that sinks or is washed ashore.
Many watercolorists I know will often first block out their painting with graphite pencil, paint over the graphite lines and then, when it's dry, laboriously erase all the pencil lines that show.
Years ago a fellow artist mentioned to me that he couldn't understand why they do that. He'd block out his painting using water color pencils, instead of graphite, and the lines would all blend in to the watercolors he brushed on with no need to erase them. Subsequently that's what I do if I want to line out a painting .
In this case however I used graphite pencil to add details to the watercolor after it was dry.
Hey, just playing around...
Watercolor and graphite on 140 pound cold pressed paper, 11 ½ by 12 ½ inches. 4 color palette; Colbalt blue, burnt sienna, hooker's green and aureoline yellow.
Many watercolorists I know will often first block out their painting with graphite pencil, paint over the graphite lines and then, when it's dry, laboriously erase all the pencil lines that show.
Years ago a fellow artist mentioned to me that he couldn't understand why they do that. He'd block out his painting using water color pencils, instead of graphite, and the lines would all blend in to the watercolors he brushed on with no need to erase them. Subsequently that's what I do if I want to line out a painting .
In this case however I used graphite pencil to add details to the watercolor after it was dry.
Hey, just playing around...
Watercolor and graphite on 140 pound cold pressed paper, 11 ½ by 12 ½ inches. 4 color palette; Colbalt blue, burnt sienna, hooker's green and aureoline yellow.
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