Photographer
A Yellow billed Magpie
Girl with a Bathing Suit. c. 1936
Coir / rope
....Just finished...!
Birds
Blue mountain tunnel
Live Music
Gourmet Uzbek Turkish
Shadow Encounter
Infinity
Pastoral
Shenandoah Caverns
Immanuel Kant on Time....
Ground Sloth / Mylodon darwinii
Krashna / Krishna
Vijaya Lakshmi Pandit along with Indira Gandhi and…
Dodge & Fargo
INDIA ~ BEFORE INDEPENDENCE
THE ARCH OF TRIUMPH OF HISTORY'S GREATEST EMPIRE
Plato
Traditional South Indian meal
Exhibit 56 ~ Painter
Afbeelding van Clio (Image of Clio)
Mnemosyne
Morning
Buddha
Richard Dawkins
Weeds (!)
King Fisher
Buddha
Sacco (Sack)
The Kiss. 1859
Natural History of Religion
Mitochondrial DNA
Cape Horn, Chile
Green world
Silenus with Two Satyrs
Ronald Amundsen
Ecstatic aura
Board High School
Jean-Baptiste Lamarck (1744-1829)
Chandelier
Pippa's Song
ON THE ORIGIN OF SPECIES
Darwin' daughter Annie; <b>his heart’s favorite, H…
Mylodon / Mylodon darwinii
Fork & knife
Max Stirner
Standing on the edge of a cliff
Perspective
Photography / Photographer
The Astronomer
Photographer
Cork
"Molyneux's Problem" / Shapes
Active Eye
Telescope
DIALOGO DI GALILEOO GALILEILINGEO
ಪತ್ರಗಳು / Letters
Crooked timber
Pins
Kamehameha I (Hawaiian pronunciation: [kəmehəˈmɛhə…
Gandhiji & his secretary Mahadev Desai
Swami Vivekananda
Bamboos
Soil
Socrates
Any place is good space
Tomatoes -- Home garden
Home grown Tomato & Brinjal
Cave and a man
Western Ghats
Woodpecker
Resident - Rangana Thittu
The Origin of Species
Thus spake E.O. Wilson
Woods
Flight
Dragon fly
Leonardo da Vinci - illustraion for virtue and env…
Fig. 17 Saint Jerome in the Wilderness
Withered
Boutonniere
Flowers / Evolution
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These ideas, which were to nourish the Romantic sensibility, were later taken up and elaborated in diverse ways by a variety of authors throughout the eighteenth century. For Schiller, the Sublime is an object of representation in the presence of which our physical nature becomes aware of its own limitations, in the same way as our reasonable nature feels itself o be superior to and independent of all limitations (On the
Sublime). For George Wilhelm Friedrich Hegel it was an attempt to express the infinite without finding an object in the realm of phenomena that might prove itself i=fit for this representation (Aesthetics: Lectures on
Fine Art II, 2, 1835) ~ Page 296
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