The Train passing. 1879
Photo montage for an Olivetti Calendar 1934
The Blond Bather 1882
Dante Gabriel Rossetti, Laly Lilith, 1867
Young Ladies on the Banks of the Seine. 1857
Wanderer Above the Sea of Fog. 1818
ARTIC SHIPRECK. 1823
The View of the Sermitsialik Glacier
A Young Girl Reading. 1776
Chalk Cliffs at Rugen. 1818
The Last Kiss of Romeo & Juliet. 1833
Liberty Leading the People. 1830
Johann Heinrich Wilhelm Tischbein Goethe
A London Slum, from Gustave Dore & William Blanch…
Napoleon on Northumberland
Fig. 16
Hanuman Temple
Plate 1
Plate 9
Welcome shoppers
Plate 12
Figure 42
Venus Restored, 1936
Illustration of The Beatles in Yellow Submarine, 1…
The Kiss. 1859
Rita Hayworth
The Steamer 'Berenice'
The Swing. 1767
Charles Townley & his friends in the Part Street G…
The Bimaran Casket
An attendant of the Buddha, from Hadda
Medallion of a young man from Bagram
The Wonder of Bamiyan: One of Masson's sketches
Lady Hemilton
Moon rising over the sea, 1822
The Countess Houssonville, 1845
Reading Woman Crowned with Flowers, 1845
The Princess Chained to the Tree, 1866
The Sleep of Reason Produces Monsters, 1799
The Buddhas of Bamiyan in 1832
The Artist in Despair over the Magnitude of Antiqu…
The Death of Marat ~ 1793
These are good....
See also...
Keywords
Authorizations, license
-
Visible by: Everyone -
All rights reserved
-
17 visits
Sacco (Sack)
en.wikipedia.org/wiki/Alberto_Burri
A magnificent and groundbreaking combination of material and rich pigment, Alberto Burri's Sacco belongs to the artist's breakthrough series, the Sacchi: a rare and highly celebrated group of works that not only launched his career but have now come to define his oeuvre.
A magnificent and groundbreaking combination of material and rich pigment, Alberto Burri's Sacco belongs to the artist's breakthrough series, the Sacchi: a rare and highly celebrated group of works that not only launched his career but have now come to define his oeuvre.
- Keyboard shortcuts:
Jump to top
RSS feed- Latest comments - Subscribe to the comment feeds of this photo
- ipernity © 2007-2024
- Help & Contact
|
Club news
|
About ipernity
|
History |
ipernity Club & Prices |
Guide of good conduct
Donate | Group guidelines | Privacy policy | Terms of use | Statutes | In memoria -
Facebook
Twitter
At this point in the eighteenth century, however, the idea of the Sublime was associated primarily with the experience bound up with art rather than nature, an experience that contained within itself a bias toward formlessness, suffering, and dread. In the course of the centuries, it was recognized that there are beautiful and agreeable things, and terrible, frightening, and painful things or phenomena: art has often been praised for having produced beautiful portrayals or imitations of ugliness, formlessness, and terror, monsters or the devil, death or tempest. In Poetics, Aristotle explains how tragedy, representing horrific events, has to call up fear and pity in the spirit of the spectator. . . . . Page 281
{ P.STHIS EXCERPT IS NOT ENTIRELY CONNECTED TO THE IMAGE}
Sign-in to write a comment.