The Bandersnatch fled as the others appeared
Ditchley Snark
Ditchley Snark
IT WAS A BOOJUM (bw)
IT WAS A BOOJUM
The Hunting Of The Snark
The Hunting of the Snark
Heads by Henry Holiday and Marcus Gheeraerts the E…
A Nose Job
Two Noses
Nosemorph
Waistcoat Poetry
With yellow kid gloves and a ruff
Inspiration by Reinterpretation
Anne Hale Mrs. Hoskins
Anne Hale Mrs. Hoskins
The Butcher and Benjamin Jowett
Neuman, Butcher, Jowett
Snark Hunt: Square One
Holiday and Gheeraerts I
Holiday and Gheeraerts I
Priest in the Mouth
Carroll's Barrister's Dream
The Snark in your Dreams
The Snark in your Dreams (low resolution)
Dream Snarks
J. J. Grandville's Monsters
The Boojum sitting on some of the 42 boxes
Holidays Boojum
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So great was his fright that his waistcoat turned white
513 · · He was black in the face, and they scarcely could trace
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image.
In this case the images are
[left]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book) and
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis.
514 · · · · The least likeness to what he had been:
515 · · While so great was his fright that his waistcoat turned white-
516 · · · · A wonderful thing to be seen!
This is probably one of the strongest examples for resemblances between graphical elements in Henry Holiday's illustrations (1876, cut by Joseph Swain) and graphical elements in another image.
In this case the images are
[left]: The Banker after his encounter with the Bandersnatch, depicted in a segment of Henry Holiday's illustration to The Banker's Fate in Lewis Carroll's The Hunting of the Snark (scanned from an 1876 edition of the book) and
[right]: a horizontally compressed copy of The Image Breakers (1566-1568) aka Allegory of Iconoclasm, an etching by Marcus Gheeraerts the Elder (British Museum, Dept. of Print and Drawings, 1933.1.1..3, see also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29). I mirrored the "nose" about a horizontal axis.
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