Art Gallery / Espaço AmArte

by Eva Penalva (Exhibition at Art Gallery / Espaço AmArte, 2008 May 7 - 28), oil on canvas

Sorry for the bad quality of this photo

"Sara", title of the painting reproduced at the cover, acrylic paint on canvas

See the review written by myself upon the artist at the right page & "Self-portrait", title of the painting reproduced at the left page, acrylic paint on canvas

"Triptych", acrylic oil on canvas (left), "The Jazz's Tension - Poezz", collage (top-right), "without tittle", acrylic oil on canvas (bottom-right)

by Manuela Horta (represented at Art Gallery / Espaço AmArte), acrylic paint & plaster on canvas

by Fernando Grade (represented at Art Gallery / Espaço AmArte), mixed techniques on paper

by Fernando Grade (represented at Art Gallery Espaço AmArte), mixed techniques on paper

by Fernando Grade (represented at Art Gallery / Espaço AmArte), mixed techniques on paper

by Artur Franco, represented at Art Gallery / Espaço AmArte, oil on canvas http://www.ipernity.com/blog/armando.taborda/333838

the painting exhibition around co-ordinated by the Art Gallery / Espaço AmArte belongs to Carlos Alexandre www.ipernity.com/blog/armando.taborda/125154

by Pedro CHARTERS d'AZEVEDO (mix-technic on canvas, big size) www.ipernity.com/blog/armando.taborda/47023

by Pedro CHARTERS d'AZEVEDO (mix-technic on canvas, big size) www.ipernity.com/blog/armando.taborda/47023

"JANUS FLEURI" (1968), sculpture in bronze by Louise BOURGEOIS (1911-2010) ...[What she creates as a sculptor out of her own subjectivity becomes an object for her, and for us, to love and hate. There are two clitorises or two flaccid penises; in between them is a representation of the female genitals experienced from inside. They look as if touched they would respond with pleasure. Stasis and movement are capured in bronze - a hard material made to represent softness. The title of the piece reminds us that most flowers contain both male and female elements. "It is perhaps a self-portrait", she said of the sculpture in September 1969, "one of many".]... by Juliet MITCHELL, in "LOVE AND HATE, GIRL AND BOY", 2014

by Richard TUTTLE, sculpture, at TATE's Turbine Hall, Exhibition until 14 December ................................................................................................................................... "It's easy to see why Richard Tuttle's work has a tendency to ripe people - in particular people who insist on believing that sculpture, even if it no longer needs to be solid and substantial, should at least cling to material existence. From early on Tuttle seemed set on refusing such notions; his work came across as impromptu and elusive, a mirage of fragments, shadows and traces, portable, and hardly built to last" .................................................................................................................................... extract from a review by Anne WAGNER

...like we cling to the mirror image /// A máscara apega-se à parede...como nós à imagem do espelho by Armando TABORDA, 2014 (1st edition, 2014; 2nd edition, 2016; 3rd edition, 2018)