Chair in Shadow
Gate, DOF, F/2, 28mm
Autumn Leaves Hanging On
Nikkor 28mm f/2 AI Lens c.1981
A Knob, Being Acquainted with a Chest of Drawers
Anita Corbin First Women Second Visit No. 6
Nikkor 28mm f/2 AI Lens Test
A Watery Grave
Leaves Hanging On
Nikkor-H Auto 85mm f/1.8 (c 1971)
Victoria Road
Stone B&W
Follow the Fence
Meanwhile, In Another Part of Town
Dresses, f/4, 800 ISO
Telephone Kiosk
Bishop's Palace, Wells
Stag Owners' Club
Fruit
Looking for a Spare Compartment
Railwayman in Steam
Street
Covid Ennui
All Dunn
Cobweb
A Wall in Reybridge No. 2
Soligor Daffodils
Reyview
Out-of-Focus
Desk Conkers I
Chippenham, Wiltshire
The Parcel
Two Sorts of Fabric
Observe Time
In Pursuit of Still Life
See also...
Libros;Books;Livres;Livros;Bucher;Libri;knjiga;Libroj
Libros;Books;Livres;Livros;Bucher;Libri;knjiga;Libroj
Keywords
Authorizations, license
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The Nikkor 28mm f/3.5 AI Lens
'Modern English Usage' was first published in 1926. Since that time the language has been well and truly mangled.
My photograph was made in available light using a Nikon 28mm f/3.5 lens on a Canon digital SLR camera. The field of view would therefore be equivalent to 45mm on full frame. However, all the wide angle lens characteristics remain preserved, including the depth of field advantage.
Bjørn Rørslett remarks that the 28mm f/3.5 performs excellently on the D2X and D200 digital bodies, giving very sharp and crisp images with just ever so slight a trace of CA. He adds that shooting directly into the sun with this lens is a breeze, and that this lens is one he nearly always carries with him on field trips.
It seems also to do quite nicely on a Canon EOS 30D via an adapter. It weighs only 8.55 ounces; the optical quality is excellent; and its mechanical quality makes it a joy to use even 40 years after it was built.
My photograph was made in available light using a Nikon 28mm f/3.5 lens on a Canon digital SLR camera. The field of view would therefore be equivalent to 45mm on full frame. However, all the wide angle lens characteristics remain preserved, including the depth of field advantage.
Bjørn Rørslett remarks that the 28mm f/3.5 performs excellently on the D2X and D200 digital bodies, giving very sharp and crisp images with just ever so slight a trace of CA. He adds that shooting directly into the sun with this lens is a breeze, and that this lens is one he nearly always carries with him on field trips.
It seems also to do quite nicely on a Canon EOS 30D via an adapter. It weighs only 8.55 ounces; the optical quality is excellent; and its mechanical quality makes it a joy to use even 40 years after it was built.
Steve Bucknell, * Didier 85 *, Aschi "Freestone", Jean-luc Drouin have particularly liked this photo
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― Henry Watson Fowler, A Dictionary of Modern English Usage.
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